Kit FS7 II RAW (12 bits; 240fps; ProRes)
Valor: 340.00€ + IVA / day
- XDCA-FS7 Extension Overview
- XDCA-FS7 Extension Specs
- FS7 II Overview
- Sony FS7 II Specs
To keep the FS7 lighter and easier to handle, Sony engineers have reserved some special functions for an external module – XDCA-FS7. This unit adds powerful features:
- External RAW Recording
- Apple ProRes 422 Recording
- Multi-Camera Support
Items included in this rental:
- Sony PXW-FS7 M2 Camera
- XDCA-FS7 Module
- Atomos Shogun Inferno – 4K Video Recorder
- SanDisk Extreme Pro SSD 960 Gb, 550 Mb/s read speed, 515 Mb/s write speed
- 2 XQD cards 256Gb 400Mb/s with adapter
- 2 Batteries
- 1 Charger
- Metabones EF for E Mount T Speed Booster ULTRA 0.71x or Metabones PL for E-Mount (optional)
- 1 Tripod – optional (50% off the current price) – please check our list of tripods
- Enables 12-bit 4K/2K RAW Data Output
- Built-In 1080p ProRes 422 Encoder
- Timecode & Genlock I/O
- Tally Indicator
- V-Mount Battery Attachment
- 4-Pin XLR DC Power Input
- 4-Pin Hirose DC Power Output
Multi-Camera 4K and high-quality HD
For projects where Multi-Camera systems are required, Digital has 4 FS7 II cameras for high-quality 4K Multi-Camera recording/broadcasting projects, with cinematic aesthetics.
XDCA-FS7 Extension Overview
The Sony XDCA-FS7 Extension Unit attaches to the back of your PXW-FS7 or PXW-FS7M2 via a MultiPin connector, adding additional I/O and enabling RAW data output for recording 12-bit 4K/2K RAW footage to compatible external recorders. The unit also features built-in Apple ProRes encoding for recording 1080p ProRes 422 video to an XQD card in the camera. Additionally, the Extension Unit adds Timecode and Genlock connectors for multi-camera operation, as well as a V-Mount battery connector. A 4-pin XLR DC power input and 4-pin Hirose DC power output are also provided.
Note: RAW recording requires the HXR-IFR5 Interface Unit and a compatible recorder.
- MultiPin connector for cable-free attachment to camera
- Enables 12-bit RAW data output to Sony’s optional AXS-R5 recorder (in combination with the optional HXR-IFR5 Interface Unit) or compatible third party RAW recorder
- 4K RAW up to 59.94p (1 to 60 fps Slow and Quick Motion)
- 2K RAW up to 59.94p (240 fps and 120 fps Slow Motion)
- Built-in Full HD ProRes encoding for recording 10-bit 4:2:2 ProRes HQ up to 29.97p to an XQD card in the FS7
- Genlock and Timecode I/O for multi-camera operation
- REC Tally indicator
- Attachment for powering camera from a V-Mount battery
- 4-pin XLR power input
- 4-pin Hirose power output
XDCA-FS7 Extension Specs
|Camera Interface||144-pin I/O|
|Supported Video Formats||4K RAW 12-bit
4096×2160 23.98p, 25p, 29.97p, 50p, 59.94p
Slow and Quick Motion: 1 to 60 fps2K RAW 12-bit
2048×1080 23.98p, 25p, 29.97p, 50p, 59.94p
Slow and Quick Motion: 240 fps, 120 fpsHD ProRes HQ 4:2:2 10-bit
1920×1080 23.98p (176 Mbps), 25p (184 Mbps), 29.97p (220 Mbps)HD ProRes 4:2:2 10-bit
1920×1080 23.98p (117 Mbps), 25p (122 Mbps), 29.97p (147 Mbps)
|Audio Format||24-bit, 48 kHz, 2-channel|
|RAW Output||1 x BNC|
|Genlock||1 x BNC|
|Reference Output||1 x BNC|
|Timecode||1 x BNC (selectable from input and output)|
|DC Input||1 x 4-pin XLR|
|DC Output||1 x 4-pin Hirose|
|Battery Connector||1 x V-Mount|
FS7 II Overview
- Super 35-Sized CMOS Sensor
- Locking Sony E-Mount (EF available with Speed Booster)
- Integrated Electronic Variable ND Filter
- DCI 4K (4096 x 2160) up to 59.94p
- UHD up to 59.94 fps, HD up to 180 fps
- XAVC-I/L, MPEG-2, XAVC up to 600 Mb/s
- Supports Rec. 709 and BT-2020
- Dual XQD Memory Card Slots
- Dual HD/3G-SDI and HDMI Output
- Ergonomic Handgrip with Camera Controls
- High speed: 180fps, 10 bit
FS7 with RAW extension
- 4:2:2 12 bit recording
- High Speed: 240fps,12 bit, 2K
- ProRes 422 HQ recording
Expanding on the original FS7, Sony’s PXW-FS7M2 XDCAM Super 35 Camera System is a flexible 4K camera system. Designed as a camera that is at home on productions as diverse as “Cinéma Vérité”-style documentaries, reality TV, commercial, and corporate applications It features a Super 35mm sized sensor that allows you to capture images with cinematic depth of field. The FS7 II incorporates a stronger locking E-mount that is fully compatible with E-Mount lenses, and supports all electronic connections. The locking mount reduces lens play, and allows you to use most 35mm lenses including PL, EF, Leica, and Nikon via optional adapters. This stronger E-mount is ideal for using heavier-long cine-zooms without the need for additional lens support.
Just behind the lens mount sits an electronic variable ND system that provides a clear filter and 3 user definable presets. The variable ND can be adjusted to provide between 2 and 7 stops of ND. The camera can capture footage to optional on-board XQD media cards in either DCI 4K (4096 x 2160) or UHD 4K (3840 x 2160) at up to 59.94 fps or HD at up to 180 fps.
The camera records in your choice of XAVC-I, XAVC-L, or MPEG-2. However, MPEG-2 recording does not support the high data rates the camera can generate when shooting in UHD, and is limited to recording HD video only. The camera incorporates Dual XQD media card slots that support simultaneous or relay recording. An ergonomically designed handgrip provides control of many of the camera’s functions and features an adjustable length support arm.
The 4K Super 35 EXMOR sensor features 14 Stops of latitude and a wide color gamut. It offers a choice of XAVC or MPEG-2 codecs. The XAVC codec can be used for 4K and HD recording, while MPEG-2 is limited to HD recording. XAVC comes in two flavors, XAVC INTRA, and XAVC Long, allowing you to encode from HD to UHD using Intra-Frame or Long GOP compression with 10-bit 4:2:2 for HD and the choice of 10-bit 4:2:2 or 8-bit 4:2:0 for UHD. XAVC intra compression is very efficient, recording at modest bit rates and XAVC Long also substantially extends the recording time while attaining very high quality and low noise.
The Camera supports two signal processing modes; Cine-EI and Custom. Cine-EI offers three color grading spaces for electronic cinematography production. The Custom mode supports Rec-709 and Rec BT-2020 at UHD 3840 x 2160 with YCbCr color subsampling. You can set the PXW-FS7M2 to record onboard and monitor on a BT 2020 compliant monitors via HDMI 10-bit 4:2:2 or SDI at 10-bit 4:2:2 with a 709 monitor LUT applied.
The PXW-FS7M2 is equipped with a locking E-Mount that provides improved stability and strength compared to a standard E-Mount. It features a safety interlock system that helps prevent accidental disengagement of your lens from the camera body. The locking mount also reduces lens play compared to a standard E-Mount and the locking mount is strong enough to support long cine and ENG zooms that normally require a lens support. It accepts optional E-Mount lenses from Sony, Zeiss and other manufacturers. The shallow flange distance of the E-Mount allows you to mount most 35mm lens types such as PL, Canon EF, Leica, Nikon, as well as many others with simple mechanical adapters.
Electronic Variable ND
Behind the lens mount sits a retractable clear filter. When you engage the internal ND filters, the clear filter retracts and a stepless electronic ND filter drops into place maintaining the proper flange focal distance. You can program the electronic ND filter to act as three individual filters and rotating the filter knob will step between these presets. Additionally, you can manually adjust the density of the filter from 2 to 7 stops. One of the advantages of the electronically variable ND filter is that you can use the iris on your lens to set your depth of field, and then make exposure adjustments with the ND, as it does not introduce any color shift as the strength of the ND changes.
The camera body is made from magnesium, which is lighter and stronger than aluminum. This allows the camera body to weigh only four pounds. It also incorporates a shoulder pad and is designed to sit on the operator’s shoulder by extending the support arm of the SmartGrip, which allows the camera to be held in front of the operator without requiring a support rig.
The camera includes an ergonomic handgrip that Sony calls a SmartGrip, which features Zoom, Start/Stop, and Assign controls. The SmartGrip facilitates camera operation with the right hand, leaving the left hand free to operate the lens. Both the arm and handgrip can be positioned at different angles permitting great flexibility, and it has been re-designed for additional extension adjustment.
Redesigned Viewfinder and Mic Holder Mount
With the PXW-FS7M2 the viewfinder and mic holder mount has been repositioned. The viewfinder and mic holder now attach to a replaceable 15mm rod. This allows you to swap out the included rod with a longer rod (not included), allowing you to move the position of the viewfinder or mic holder relative to the camera. You can adjust the position of the viewfinder so a left-eye shooter can use their left eye, while the camera is resting on their right shoulder. In addition, the viewfinder itself now rides on a square mounting rod that ensures level operation.
The PXW-FS7M2 records internally in both DCI 4K and UHD 4K at up to 59.94 fps, and in HD up to 180 fps using XAVC-I or up to 120 fps with XAVC-L. DCI 4K (4096 x 2160) can be recorded internally without the need of an external recorder.
Media Card Slots
The camera features two XQD media slots that support simultaneous or relay recording. The XQD card slots are shallower on the PXW-FS7M2 compared to the FS7, making inserting and removing media cards easier.
Sony FS7 II Specs
Sony PXW-FS7M2 Specs
|Image Sensor Size||Super35|
|Effective Sensor Resolution||4096 x 2160|
|Gain||-3 to 18 dB|
|Signal-to-Noise Ratio||57 dB|
|Lens Mount||Sony E-Mount|
|Shutter Speed||1/3 to 1/9000 sec|
|Built-In ND Filter||Mechanical Filter Wheel with 2 Stop (1/4), 4 Stop (1/16), 6 Stop (1/64) ND Filters|
|Recording Media||2 x XQD Card Slots
1 x SD (Unspecified Type) Card Slot
4096 x 2160 12-Bit
2048 x 1920 12-Bit
|Video Connectors||2 x BNC (3G-SDI) Output
1 x HDMI (HDMI 2.0) Output
|Other I/O||1 x 2.5 mm LANC Control Input
1 x USB Mini-B Data Input/Output
1 x 2.5 mm LANC Control Input
|Screen Resolution||1,560,000 Dots|
|Battery Type||Sony BP-U Series|
|Power Connectors||1 x Barrel Input|
|Power Consumption||19 W|
|Operating Temperature||32 to 104°F / 0 to 40°C|
|Storage Temperature||-4 to 140°F / -20 to 60°C|
|Accessory Mount||1 x Multi-Interface Shoe
1 x 1/4″-20 Female Thread
|Dimensions||6.14 x 9.41 x 9.72″ / 156 x 239 x 247 mm|
|Weight||9.9 lb / 4.4 kg|
Num cartão SD de 64Gb quanto tempo podemos gravar em 4K?
Utilizando o codec XAVC S 4K 25P a 100M podemos gravar 81 minutos (1h21m)
Utilizando o codec XAVC S 4K 25P a 60M podemos gravar 133 minutos (2h13m).
Num cartão SD de 64Gb quanto tempo podemos gravar em HD?
Utilizando o codec XAVC S HD 50P a 50M podemos gravar 161 minutos (2h41m)
Utilizando o codec XAVC S HD 25P a 50M podemos gravar 161 minutos (2h41m).
Utilizando o codec XAVC S HD 100P a 100M podemos gravar 81 minutos (1h21m).
Utilizando o codec XAVC S HD 100P a 60M podemos gravar 133 minutos (2h13m).