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11125
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Kit: FX9 + 28-135mm Lens

300.00 + IVA /day

Whether you’re shooting documentaries, events, reality TV, education, or corporate productions, the PXW-FX9K XDCAM 6K Full-Frame Camera System from Sony has you covered with its powerful and flexible 4K interchangeable lens camera system. The PXW-FX9K features a full-frame, oversampled 6K Exmor R CMOS sensor that allows you to capture 4K images with cinematic depth of field. The camera’s E-mount is machined from stainless steel and allows you to use E-mount lenses. A Sony 28-135mm f/4 G OSS E-mount zoom lens is included, which covers full-frame format and features an f/4 to f/22 aperture range.

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Additional Information

  • 6K Full-Frame Exmor R CMOS Sensor
  • 15 Stops of Dynamic Range
  • UHD 4K (3840 x 2160) up to 59.94p
  • HD Recording up to 120 fps

The PXW-FX9K input and output features include 12G-SDI and HDMI outputs for 4K, a 3G-SDI output for HD, and genlock and timecode when using a multicamera setup. The Fast Hybrid AF autofocus system allows for accurate focus and even allows facial detection to automatically detect human form with 561 points of detection. Advanced image stabilization is achieved using the PXW-FX9K’s internal gyroscope for shots so smooth it’ll look like you used a gimbal. Its 4-channel audio recording allows you to use external microphones and record ambient sound with the internal mics simultaneously.

The camera features a 15-stop dynamic range and records 10-bit 4:2:2 to dual XQD media card slots that support simultaneous and relay recording, as well as multiple backup recording modes that utilize proxy files. The camera can record UHD (3840 x 2160) and HD (1920 x 1080) internally at a selectable frame rate from 1 fps up to 60 fps in XAVC-I, XAVC-Long, and MPEG HD formats. And with a future firmware update, it will be able to record HD at up to 180 fps and output 16-bit raw 4K/2K footage up to 120 fps. In addition to its wide dynamic range, its enhanced color and light features include a dual base ISO of 800/4000, which is helpful when in low-light situations or using a slower lens. Its 7-stop electronic variable HD filter can perform in auto or manual mode, smoothly adjusting from 1/4 to 1/128 density. The camera’s default S-Cinetone color look offers the same soft, vivid tone as with Sony’s VENICE camera.

The FX9 includes an integrated Multi-Interface (MI) shoe and comes with a BP-U35 battery, BC-U1A battery charger, AC adapter with two power cords, body cap, viewfinder, eyepiece, remote control, and USB cable. The PXW-FX9K is also compatible with the separately available XDCA-FX9 extension unit which provides ENG shoulder-style support, networking features, and a slot for an optional wireless audio receiver.

6K CMOS Exmor R Sensor

The PXW-FX9K’s oversampled full-frame 6K sensor provides recording in DCI 4K, UHD, and HD resolutions. Powerful image processing with debayering and down-sampling ensures image quality beyond the limits of conventional Super 35mm sensors. The back-illuminated CMOS image sensor also uses Sony’s Exmor R technology for improved sensitivity and noise reduction. Compared to a 4K Super 35mm sensor, the FX9’s 6K sensor has over twice the surface area while providing a wider angle of view and shallower depth of field.

15 Stops of Dynamic Range

The FX9 offers an exceptional 15+ stops of dynamic range, allowing for creative freedom in color grading and post. Camera operators can concentrate on framing the scene they want while relying upon the FX9 to capture every nuance and detail using 4K 4:2:2 10-bit internal recording.

ISO Control

The FX9 features a base sensitivity of ISO 800, providing the optimal dynamic range for typical documentary applications such as shooting outside or in brightly lit interiors. A secondary high base sensitivity of ISO 4000 excels in low-light conditions such as early morning and evening shoots while maintaining superb image quality. ISO 4000 is also ideal whenever you’re using slow lenses.

Electronic ND Filter

Sony’s built-in electronic variable neutral density (ND) filter can be set to auto, or adjust filter density manually in smooth increments from 1/4 to 1/128 as you shoot, for perfectly exposed images without affecting depth of field as lighting conditions change. Use higher-density settings with a slower shutter speed for artistic effects.

Recording Formats

Depending on the project, the FX9 has a selection of recording formats. XAVC-I with 422 10-bit quality at a highest 600 Mb/s in 60p. XAVC-Long for more longer recording time in smaller file size. The traditional MPEG HD codec is also available. All files will be recorded onto XQD media cards.

Adjustable Frame Rates

Choose your desired frame rate from 1 up to 60 fps for quick- and slow-motion footage. The FX9 creates an immersive image with a wide-angle look and shallower depth of field provided by its full-frame sensor in combination with quick and slow motion. It also offers a quality priority setting that maximizes Full HD slow-motion image quality with advanced oversampling technology.

S-Cinetone Look

S-Cinetone is the default look of FX9 that’s tuned to meet the requirements of today’s content creators with rich midrange colors, alluring facial tones, and a softer tonal look developed with the same expertise as Sony’s world-leading VENICE digital cinematography camera. S-Cinetone means that straight out of the camera your content looks fresh and vivid, with subjects that really stand out while retaining plenty of latitude in post-production, thanks to the high-performance full-frame image sensor.

Fast Hybrid AF

Effortlessly track fast-moving subjects with pin-sharp focus, even when using wide-lens aperture settings to maintain a shallow depth of field with the camera’s full-frame sensor. Enhanced Fast Hybrid AF combines phase detection AF for fast, accurate subject tracking with contrast AF for exceptional focus accuracy. In addition, Face Detection intelligently recognizes and locks on to human faces. The dedicated 561-point phase detection AF sensor covers approximately 94% of the whole image area width and 96% of height, allowing for consistently accurate, responsive AF tracking, even with fast-moving subjects.

Seven-level AF transition speeds from fast-switching between subjects as quickly as possible to slow, where speed is reduced to fit a more measured shooting style, such as a historical TV drama.

Five-level AF subject shift sensitivity ranges from locked-on, ignoring other moving subjects in the frame, to responsive that switches focus from one subject to another—ideal for snapping between race cars as they speed by.

Advanced Image Stabilization

Advanced image stabilization information means even handheld footage can be transformed with Sony Catalyst Browse/Catalyst Prepare software in post-production to look as smooth as if it were shot with a gimbal. Unlike in-camera or lens stabilization, metadata generated by the FX9’s built-in gyro allows you to creatively choose the balance between the level of shake compensation and the resolution of trimmed 4K imagery. This feature is also compatible with any E-mount lens and allows for far faster processing than conventional NLE stabilization workflows.

4-Channel Audio Recording

The FX9 offers audio capabilities with independent control dials for each channel. In applications such as an interview, 4-channel audio recording enables simultaneous use of an external microphone for recording ambient sounds, and the built-in microphone for ambient sound and voice memos by the operator.

Inputs and Outputs

The FX9 is equipped with various outputs including a 12G-SDI and an HDMI for 4K output. Also, it has a 3G-SDI for HD output to expand its monitoring flexibility. For multicamera operation, Genlock and TC In/Out terminals are available.

Recording Modes

The FX9 has a selection of backup recording modes that will help ensure the recording is safe. Simul Rec will enable simultaneous HD recording onto two media cards. The 4K/HD Sub Rec mode will allow 4K recording on one card and MPEG HD recording on another card. XAVC Proxy Rec is also available, offering a 9 Mb/s small size proxy file which will be easily sent via network. Also, a maximum 28-second Cache Rec is available to prevent missing any shot.

Multi-Interface (MI) Shoe

Sony’s flexible Multi-Interface (MI) shoe provides power, signal connections, and coordinated on/off switching with compatible Sony accessories.

Recording/playback Time [XAVC Intra]

  • XAVC-I DCI4K/QFHD 50p — when using a XQD 256 Gb Memory Card: Approx. 52 min
  • XAVC-I DCI4K/QFHD 25p — when using a XQD 256 Gb Memory Card: Approx. 104 min
  • XAVC-I HD 50p — when using a XQD 256 Gb Memory Card: Approx. 114 min
  • XAVC-I HD 50i/25p — when using a XQD 256 Gb Memory Card: Approx. 210 min

Recording/playback Time [XAVC Longo]

  • XAVCa-L QFHD 59.94p/50p — when using a XQD 256 Gb Memory Card: Approx. 172 min
  • XAVC-L QFHD 29.97p/25p/23.98p — when using a XQD 256 Gb Memory Card: Approx. 250 min
  • XAVC-L HD 50 59.94i/29.97p/50i/25p/ 23.98p/59.94p/50p — when using a XQD 256 Gb Memory Card: Approx. 450 min
  • XAVC-L HD 35 59.94i/29.97p/50i/25p/ 23.98p/59.94p/50p — when using a XQD 256 Gb Memory Card: Approx. 610 min
  • XAVC-L HD 25 59.94i/50i — when using a XQD 256 Gb Memory Card: Approx. 820 min

Battery Operating Time

  • Approx. 54 min. with BP-U35 battery (while recording XAVC-I QFHD 59.94p, SELP28135G Lens, Viewfinder ON, not using external device)
  • Approx. 130 min, with BP-U90 battery (while recording XAVC-I QFHD 59.94p, SELP28135G Lens, Viewfinder ON, not using external device)

Mass

  • Approx 4.41 lb (2,0 Kg) — body only
  • Approx. 10.58 lb (4,8 Kg) — with Viewfinder, Eyepiece, Grip Remote Control, BP-U35 battery, SELP28135G LENS, an XQD memory card, handle, mic holder

Dimensions (W x H x D)

  • 5.75 × 5.61 × 9.02 in (146 x 142,5 x 229 mm)
Image Sensor
Image Sensor Size 35.7 x 18.8 mm (Full-Frame)
Sensor Type CMOS
Sensor Resolution Effective: 3840 x 2160
ISO 800 to 4000 (Native)
Gain -3 to 18 dB
Advertised Dynamic Range 15 Stops
Signal-to-Noise Ratio 57 dB
Camera
Lens Mount Sony E-Mount
Shutter Speed 1/1 to 1/8000 sec
Built-In ND Filter 4 to 128 Stop Electronic ND Filter
Built-In Microphone Type Mono
Recording Media 2 x XQD Card Slots
1 x SDXC/Memory Stick PRO Duo Hybrid Card Slot
Internal Recording
Recording Modes XAVC-I 4:2:2 10-Bit:
3840 x 2160p at 23.98/25/29.97/50/59.94 fps (240 to 600 Mb/s)
1920 x 1080p at 23.98/25/29.97/50/59.94/100/120 fps (89 to 222 Mb/s)
1920 x 1080i at 50/59.94 fps (112 Mb/s)
XAVC-L 4:2:2 10-Bit:
3840 x 2160p at 23.98/25/29.97/50/59.94 fps (100 to 150 Mb/s)
1920 x 1080p at 25/29.97/50/59.94/100/120 fps (25 to 50 Mb/s)
1920 x 1080i at 50/59.94 fps (50 Mb/s)
MPEG HD422 4:2:2 10-Bit:
1920 x 1080p at 23.98/25/29.97 fps (50 Mb/s)
1920 x 1080i at 25/50/59.94 fps (50 Mb/s)
XAVC Proxy 4:2:0 10-Bit:
1920 x 1080p (9 Mb/s)
1280 x 720p (6 to 9 Mb/s)
640 x 360p (3 Mb/s)
Gamma Curve Sony S-Log 3
Audio Recording XAVC: 4-Channel 24-Bit 48 kHz LPCM Audio
Proxy: 2-Channel AAC Audio
Interfaces
Video Connectors 1 x BNC (12G-SDI) Output
1 x BNC (3G-SDI) Output
1 x HDMI (HDMI 2.0) Output
Audio Connectors 2 x 3-Pin XLR Mic/Line Level (+48 V Phantom Power) Input
1 x 1/8″ / 3.5 mm Stereo Headphone Output
Other I/O 1 x BNC Genlock Data Input
1 x BNC Timecode Data Input/Output
1 x 2.5 mm LANC Control
1 x USB Micro-B USB 3.1 Gen 1 Data
Wireless Interfaces 2.4 GHz, 5 GHz Wi-Fi
EVF
EVF Included
EVF Display Type LCD
Screen Size 3.5″
EVF Resolution 2,760,000 Dots
Power
Battery Type Sony BP-U Series
Power Connectors 1 x Barrel (19.5 VDC) Input
Power Consumption 35.2 W
Environmental
Operating Temperature 32 to 104°F / 0 to 40°C
Storage Temperature -4 to 140°F / -20 to 60°C
General
Accessory Mount 1 x Multi-Interface Shoe
1 x 1/4″-20 Female
Dimensions 5.75 x 5.61 x 9.02″ / 146 x 142.5 x 229 mm (Without Protrusions)
Weight 4.4 lb / 2 kg

Designed to satisfy 4K production requirements, the Sony FE PZ 28-135mm f/4 G OSS Lens is a wide-ranging zoom lens that covers wide-angle to telephoto perspectives while adding many features for your full-frame, APS-C, or E-mount camcorder or still photography camera system. The lens features a powered zoom control with a variable speed and zoom rotation direction reversal capability. Powering the zoom function is an SSM (Super Sonic wave Motor) drive that allows precision and quiet operation. Focus noise is also minimized through weight reduction of the focus element group and use of a linear motor. Iris function is also designed to be smooth and silent for cinematography demands.

Angle of view variations while focusing (breathing) and axial displacement while zooming have been reduced while five aspherical elements and three ED elements work with advanced multi-coating technology to minimize distortion and chromatic aberrations while also contributing to sharper overall imagery with enhanced contrast and clarity.

Independent control rings for zoom, focus, and iris (aperture) are provided for and the focus mode can be switched from auto to manual by sliding the focus ring forward so control is maintained at all times. All three control rings have been engineered to provide the right amount of torque for comfortable, responsive operation and the pitch of the scalloping on the rings has been designed for comfortable, slip-free control.

A constant f/4 maximum aperture offers consistent performance throughout the zoom range and is especially beneficial when working with greater zoom magnifications in low-light conditions. Also benefiting working in dim light or at the long end of the zoom range is Optical SteadyShot image stabilization, which works to minimize the appearance of camera shake by up to four shutter speed steps.

Powered 8-speed zoom provides a 28-135mm focal length range, covering wide-angle to telephoto perspectives
Power zoom designed for cinema productions and full frame cameras
Features Sony’s original Nano AR Coating technology designed to effectively suppress reflections that can cause flare and ghosting. The precisely defined regular nano-structure allows accurate light transmission, contributing to high-quality images, even more so than lenses with coatings that use an irregular nano-structure
Three control rings (for zoom, focus, iris) offer manual control for demanding large format productions. The focus mode can be switched from auto to manual simply by sliding the focus ring forward so control is maintained at all times. Zoom speed can be precisely controlled over a wide range, with zoom rotation direction reversal capability. All three control rings have been engineered to provide ideal torque for comfortable, responsive operation. Even the pitch of the scalloping on the rings has been designed for comfortable, slip-free control
Sony’s advanced iris control and linear AF motor drive system achieve quiet focusing that is also extremely responsive. Part of the reason that focus control is so quiet is that original Sony linear motors are contactless, with no gears or mechanical coupling to generate noise
The world’s first SSM (Super Sonic wave Motor) drive in a cinema lens for quiet zoom and smooth iris control
Maintains plane of focus while zooming and maintains field of view while focusing (important for video)
Delivers smooth tracking throughout the zoom range at any speed and eliminates any axial image shifting. Zooming is quiet as well as responsive thanks to advanced mechanical actuator design
Features an optical design and control technology inherited from Sony’s professional camcorders that ensure no breathing while focusing
Constant f/4 maximum aperture enables greater consistency throughout the zoom range and benefits working in dim conditions with longer focal lengths
Optical SteadyShot image stabilization works to minimize the appearance of camera shake by up to four shutter speed steps to benefit shooting handheld in dim lighting and with greater zoom magnifications
Three extra-low dispersion elements and five aspherical elements helps to reduce chromatic aberrations and distortion throughout the zoom range while also contributing to overall image sharpness and clarity
Focal Length 28 to 135mm
Lens Mount Sony E
Format Full Frame
Maximum F-Stop f/4
Minimum F-Stop f/22
Diagonal Angle of View Super35: 54 to 12°
Full Frame: 75 to 18°
Minimum Focus Distance from Image Plane 1.31′ / 0.40 m
Optical Design 18 Elements in 12 Groups
Iris Blades 9
Filter Thread 95 mm
Zoom Ratio 4.8x
Electronic Communication Yes
Maximum Magnification Ratio 1:6.67
Dimensions (W x H) 4.13 x 4.13″ / 104.9 x 104.9 mm
Length 6.40″ / 162.5 mm
Weight 42.9 oz / 1215 g
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