Atomos Ninja V 4K HDMI Recording Monitor - Splash - Digital Azul copy copy
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Atomos Ninja V 5″ 4K HDMI Recording Monitor

Valor: 75.00 + IVA / day

Eliminate your camera’s internal compression and time limits with Atomos Ninja V – record up to 4Kp60 10-bit HDR video direct from your camera’s sensor over HDMI 2.0.

  • 1920 x 1080 Touchscreen Display
  • 10-Bit Exterior Viewable Monitor
  • 4K HDMI Input
  • 1000 cd/m² Brightness
  • AtomHDR Mode with 10-Stop Dynamic Range
  • 10-Bit 4:2:2 ProRes & DNxHR Encoding
  • Records to Mini SSDs
  • Supports a Variety of Log Formats
  • Single Sony L-Series Battery Slot

We have 2 Atomos Ninja V 4K HDMI Recording Monitors available for rent. If you need more quantity, please contact us.

Referência: 20014
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The selected dates should refer to the dates when the equipment is used, excluding the picking and returning dates. For long term rentals contact us.

Valor Total: 75.00

Overview

The Atomos Ninja V 5″ 4K HDMI Recording Monitor is a 5″ on-camera monitor/recorder that records and plays back DCI 4K, UHD 4K, and HD video from purpose-built mini-SSDs. It features a 10-bit FRC IPS screen with a brightness of 1000 cd/m², which makes it suitable for use in both exterior and interior conditions. The AtomHDR display technology allows you to accurately monitor your log gamma footage without having to view flat, washed-out looking images or use a LUT to compress the dynamic range and color space. The monitor supports popular log formats from Sony, Canon, Panasonic, ARRI, RED, and JVC cameras. The settings only affect viewing, with recorded video remaining unaltered.

Built to withstand the rigors of production, the Ninja V features an aluminum chassis and powers from a single L-series battery. Additional features include a variety of onscreen exposure analysis, framing, and focus assist tools, as well as anamorphic de-squeeze. A power supply and SSD Caddy are included with the unit.

Designed with an interface that differs somewhat from prior units, the Ninja V’s HDR functions are accessed through the MON buttons and its ProRes options are chosen via the arrows on the unit’s upper left corner.

AtomHDR
With AtomHDR you can monitor up to ten stops of dynamic range of your camera’s LOG image. Most conventional monitors can only display six or seven stops, which is fine for standard footage; but a Log image will look overly flat. It is also superior to monitoring with a loaded LUT, which can clip the highlights and mask shadows.
Supported Log Formats
  • ARRI Log C
  • Canon CLog / CLog 2
  • Fuji F-Log
  • JVC JLog
  • Sony SLog2 / SLog3
  • Panasonic Vlog
  • RED LogFilm
HDR Recording
  • ARRI Log CEI160 / LogCEI200 / LogCEI250 / LogCEI320/ LogCEI400 / LogCEI500 / LogCEI640 / LogCEI800 / LogCEI1000 / LogCEI1280 / LogCEI1600
  • Canon CLog / CLog2 / Clog3
  • Fuji F-Log
  • JVC JLog1
  • Panasonic Vlog
  • PQ10k, HLG
  • RED LogFilm / Log3G10 / Log3G12
  • Sony SLog / SLog2 / SLog3
HDR Monitoring
  • ARRI ALEXA Wide Gamut
  • Canon Cinema / DCI P3 / DCI P3+ / BT2020
  • Fuji F-Log
  • JVC LS300
  • Panasonic V Gamut
  • Rec. 2100
  • Rec. 709
  • RED DragonColor / DragonColor2 / RedColor2 / RedColor3 / RedColor4 / RedWideGamut
  • Sony SGamut / SGamut3 / SGamut3.cine / BT2020
  • Wide Color Gamut (SGamut / SGamut3 / SGamut3.cine / Canon Cinema / BT2020 / DCI P3 / DCI P3+ / Panasonic V Gamut / ARRI ALEXA Wide Gamut) mapping to Rec. 709 on screen
  • Wide Color Gamut (SGamut / SGamut3 / SGamut3.cine / Canon Cinema / BT2020 / DCI P3 / DCI P3+ / Panasonic V Gamut / ARRI ALEXA Wide Gamut) mapping to Rec. 709 / BT2020 / DCI P3 on loop out
4K 60p Capabilities
Record high-resolution 4K footage in DCI or UHD formats up to 60 fps, including 24 and 25 fps for a more film-like aesthetic. All recordings are stored as high-quality Apple ProRes or Avid DNxHR files with 10-bit 4:2:2 chroma subsampling. A variety of bit rates are available to fit your project and storage needs.
Audio I/O
Input/output audio via HDMI or add external audio via the 3.5mm Line In/Mic In port; output audio using the 3.5mm headphone port for convenient audio monitoring.
5″ Daylight Viewable Screen
The Ninja V features a 5″ IPS LCD screen that is illuminated by a bright 1000 cd/m² LED backlight, making it possible to view in daylight without requiring a hood. Plus, the screen is also color calibrated from the factory to ensure accurate image representation.
HDR Signal Management
Log and HDR signals can be difficult to monitor with conventional equipment. Though, with the Ninja V’s built-in HDR signal management functions, the log signal can be converted to the PQ standard for compatibility with existing consumer and professional HDR equipment.
Anamorphic De-Squeeze
The Ninja V supports Anamorphic de-squeeze, allowing you to comfortably view anamorphic footage with a squeeze of 2x, 1.5x, 1.33, and Panasonic’s 8:3.
Edit-Ready Recording
Incoming video signals can be recorded in a wide range of Apple ProRes and Avid DNx codecs which maintain high quality while not requiring the storage space of uncompressed video. Both ProRes and DNx are edit-friendly, requiring no conversion in post-production to ensure smooth playback and compatibility with most common video editing software.

 

 

Specs

Atomos Ninja V Specs

Display
Type 5″
Resolution 1920 x 1080
427 ppi
Video Aspect Ratio Native: 16:9
Brightness 1000 cd/m²
Bit Depth 10-bit
LUT Support 3D LUT (.cube file format)
Interface
Inputs 1 x HDMI type A, v2.0
1 x 2.5 mm, LANC
1 x 3.5 mm, line/mic input, 2-ch, 48 kHz, 24-bit
Outputs 1 x HDMI type A, v2.0
1 x 3.5 mm, headphone
Supported Video Format
Supported Signal Input: 8/10-bit 4:2:2 (dependent on video source)
Output: 8/10-bit 4:2:2 (dependent on video source)
Input/Output Resolutions HDMI:
4096 x 2160: 60/59.94/50/30/29.97/25/24/23.98
3840 x 2160: 60/59.94/50/30/29.97/25/24/23.98
1080p: 60/59.94/50/30/29.97/25/24/23.98
1080i: 60/50
720p: 60/50
Pulldown Conversion 24/25/30PsF to 24/25/30p (2:2 pulldown)
60i to 24p (3:2 pulldown)
Supported Codecs Apple ProRes: HQ, 422, LT
Avid DNxHR: HQX, HQ, SQ, LB
Supported Audio Formats
HDMI 2- or 8-channel, up to 24-bit (camera dependent)
Signal Level Line In / Mic In: 2-channel 48 kHz 24-bit
LANC Supports slave configuration
Recording Media
Master Caddy Dock Interface: 2.5″ SATA to USB 2.0/3.0
Supported Applications Final Cut Pro X/7+
Avid Media Composer 5.0+
Adobe Premiere 5.5+
Grass Valley EDIUS 6.0+
Sony Vegas Pro 10+
Lightworks
Autodesk Smoke 2015
XML Support FCPX XML native, FCPX/Adobe limited supported with third-party conversion tools
General
Power Requirements 6.2 to 16.8 VDC (battery or DC power input)
Power Consumption 10-19 W
Supported Battery Types Sony L-series
Battery Life 5200 mAh: Up to 2 hours (monitor and 4K 60p recording)
7800 mAh: Up to 3 hours (monitor and 4K 60p recording)
Construction Aluminum alloy chassis
ABS polycarbonate
Dimensions 5.94 x 3.6 x 1.22″ / 15.1 x 9.15 x 3.1 cm
Weight Without Batteries & Media: 11.3 oz / 320 g

Vídeo(s)

Atomos Ninja V - The 4K Mirrorless Must-Have
Hands-On With the HDMI Atomos Ninja V recorder/monitor
Atomos Ninja V 5.7k support for EVA-1 & ProRes RAW workflow
Atomos Ninja V External 4K Recorder | Latest Firmware Update | Hands-On Review

Documentação