Reference:
1862401178
Categories:

Kit Sony FX9 + Extensão Sony XDCA-FX9 (Módulo RAW) + Atomos Ninja V Plus

405.00 + IVA /dia

Sony FX9

A FX9 possui um sensor oversampled 6K Exmor R CMOS full-frame que permite capturar imagens em 4K com profundidade de campo cinematográfica.

Atomos Ninja V+

If you’re shooting with an 8K camera, then why not record in 8K raw format using the Ninja V+ 5.2″ 8K HDMI H.265 Raw Recording Monitor from Atomos. The Ninja V+ is the same on-camera monitor/recorder as its predecessor the Ninja V 5″, but the Ninja+ now features a 5.2″ display and records and plays back up to 8K raw video to and from purpose-built mini-SSDs.

Extensão Sony XDCA-FX9 (Módulo RAW)

Add the XDCA-FX9 Extension Unit from Sony to the back of your PXW-FX9 camera to add an ENG-style shoulder mount and additional I/O and power to your camera. The unit features a 4-pin XLR DC power input and D-Tap and 4-pin Hirose DC power outputs to power accessories and other equipment. A LAN interface and two USB ports provide live streaming and file transfer abilities, as well as compatibility with XDCAM Air streaming playback.

Artigos incluídos neste aluguer

Alugar este artigo

As datas indicadas deverão ser as datas de utilização do equipamento, não contando com as datas de levantamento e de entrega. Condições especiais para alugueres de longa duração. Contacte-nos

Informação Adicional

Whether you’re shooting documentaries, events, reality TV, education, or corporate productions, the PXW-FX9K XDCAM 6K Full-Frame Camera System from Sony has you covered with its powerful and flexible 4K interchangeable lens camera system. The PXW-FX9K features a full-frame, oversampled 6K Exmor R CMOS sensor that allows you to capture 4K images with cinematic depth of field. The camera’s E-mount is machined from stainless steel and allows you to use E-mount lenses. A Sony 28-135mm f/4 G OSS E-mount zoom lens is included, which covers full-frame format and features an f/4 to f/22 aperture range.

The PXW-FX9K input and output features include 12G-SDI and HDMI outputs for 4K, a 3G-SDI output for HD, and genlock and timecode when using a multicamera setup. The Fast Hybrid AF autofocus system allows for accurate focus and even allows facial detection to automatically detect human form with 561 points of detection. Advanced image stabilization is achieved using the PXW-FX9K’s internal gyroscope for shots so smooth it’ll look like you used a gimbal. Its 4-channel audio recording allows you to use external microphones and record ambient sound with the internal mics simultaneously.

The camera features a 15-stop dynamic range and records 10-bit 4:2:2 to dual XQD media card slots that support simultaneous and relay recording, as well as multiple backup recording modes that utilize proxy files. The camera can record UHD (3840 x 2160) and HD (1920 x 1080) internally at a selectable frame rate from 1 fps up to 60 fps in XAVC-I, XAVC-Long, and MPEG HD formats. And with a future firmware update, it will be able to record HD at up to 180 fps and output 16-bit raw 4K/2K footage up to 120 fps. In addition to its wide dynamic range, its enhanced color and light features include a dual base ISO of 800/4000, which is helpful when in low-light situations or using a slower lens. Its 7-stop electronic variable HD filter can perform in auto or manual mode, smoothly adjusting from 1/4 to 1/128 density. The camera’s default S-Cinetone color look offers the same soft, vivid tone as with Sony’s VENICE camera.

The FX9 includes an integrated Multi-Interface (MI) shoe and comes with a BP-U35 battery, BC-U1A battery charger, AC adapter with two power cords, body cap, viewfinder, eyepiece, remote control, and USB cable. The PXW-FX9K is also compatible with the separately available XDCA-FX9 extension unit which provides ENG shoulder-style support, networking features, and a slot for an optional wireless audio receiver.

Features

  • 6K full frame sized sensor (6008×3168 pixels)
  • Dual base ISO 800/4000
  • Venice color science (profile / baked-in Rec709)
  • 15 stops dynamic range
  • UHD 4K (3840 x 2160) up to 59.94p
  • HD Recording up to 120 fps
  • 16-bit RAW via stream output
  • e-mount
  • Fast Hybrid AF
  • Electronic variable ND filter
  • 35.7MP sensor
  • 35 watts

6K CMOS Exmor R Sensor

O sensor 6K full frame significa poder usar toda a amplitude do vidro da lente, o que a maioria das câmaras já permite, mas não se beneficia ao usar em câmaras s35. A redução de 6k para 4k resultará numa imagem mais nítida e, com o ISO duplo, a imagem ficará visivelmente mais limpa e com melhor aparência. Com o acréscimo da última geração de ciência de cores da Sony, o resultado é cinematografia.

The PXW-FX9K’s oversampled full-frame 6K sensor provides recording in DCI 4K, UHD, and HD resolutions. Powerful image processing with debayering and down-sampling ensures image quality beyond the limits of conventional Super 35mm sensors. The back-illuminated CMOS image sensor also uses Sony’s Exmor R technology for improved sensitivity and noise reduction. Compared to a 4K Super 35mm sensor, the FX9’s 6K sensor has over twice the surface area while providing a wider angle of view and shallower depth of field.

15 Stops of Dynamic Range

The FX9 offers an exceptional 15+ stops of dynamic range, allowing for creative freedom in color grading and post. Camera operators can concentrate on framing the scene they want while relying upon the FX9 to capture every nuance and detail using 4K 4:2:2 10-bit internal recording.

ISO Control

The FX9 features a base sensitivity of ISO 800, providing the optimal dynamic range for typical documentary applications such as shooting outside or in brightly lit interiors. A secondary high base sensitivity of ISO 4000 excels in low-light conditions such as early morning and evening shoots while maintaining superb image quality. ISO 4000 is also ideal whenever you’re using slow lenses.

Electronic ND Filter

Sony’s built-in electronic variable neutral density (ND) filter can be set to auto, or adjust filter density manually in smooth increments from 1/4 to 1/128 as you shoot, for perfectly exposed images without affecting depth of field as lighting conditions change. Use higher-density settings with a slower shutter speed for artistic effects.

Recording Formats

Depending on the project, the FX9 has a selection of recording formats. XAVC-I with 422 10-bit quality at a highest 600 Mb/s in 60p. XAVC-Long for more longer recording time in smaller file size. The traditional MPEG HD codec is also available. All files will be recorded onto XQD media cards.

Adjustable Frame Rates

Choose your desired frame rate from 1 up to 60 fps for quick- and slow-motion footage. The FX9 creates an immersive image with a wide-angle look and shallower depth of field provided by its full-frame sensor in combination with quick and slow motion. It also offers a quality priority setting that maximizes Full HD slow-motion image quality with advanced oversampling technology.

S-Cinetone Look

S-Cinetone is the default look of FX9 that’s tuned to meet the requirements of today’s content creators with rich midrange colors, alluring facial tones, and a softer tonal look developed with the same expertise as Sony’s world-leading VENICE digital cinematography camera. S-Cinetone means that straight out of the camera your content looks fresh and vivid, with subjects that really stand out while retaining plenty of latitude in post-production, thanks to the high-performance full-frame image sensor.

Fast Hybrid AF

Effortlessly track fast-moving subjects with pin-sharp focus, even when using wide-lens aperture settings to maintain a shallow depth of field with the camera’s full-frame sensor. Enhanced Fast Hybrid AF combines phase detection AF for fast, accurate subject tracking with contrast AF for exceptional focus accuracy. In addition, Face Detection intelligently recognizes and locks on to human faces. The dedicated 561-point phase detection AF sensor covers approximately 94% of the whole image area width and 96% of height, allowing for consistently accurate, responsive AF tracking, even with fast-moving subjects.

Seven-level AF transition speeds from fast-switching between subjects as quickly as possible to slow, where speed is reduced to fit a more measured shooting style, such as a historical TV drama.

Five-level AF subject shift sensitivity ranges from locked-on, ignoring other moving subjects in the frame, to responsive that switches focus from one subject to another—ideal for snapping between race cars as they speed by.

Advanced Image Stabilization

Advanced image stabilization information means even handheld footage can be transformed with Sony Catalyst Browse/Catalyst Prepare software in post-production to look as smooth as if it were shot with a gimbal. Unlike in-camera or lens stabilization, metadata generated by the FX9’s built-in gyro allows you to creatively choose the balance between the level of shake compensation and the resolution of trimmed 4K imagery. This feature is also compatible with any E-mount lens and allows for far faster processing than conventional NLE stabilization workflows.

4-Channel Audio Recording

The FX9 offers audio capabilities with independent control dials for each channel. In applications such as an interview, 4-channel audio recording enables simultaneous use of an external microphone for recording ambient sounds, and the built-in microphone for ambient sound and voice memos by the operator.

Inputs and Outputs

The FX9 is equipped with various outputs including a 12G-SDI and an HDMI for 4K output. Also, it has a 3G-SDI for HD output to expand its monitoring flexibility. For multicamera operation, Genlock and TC In/Out terminals are available.

Recording Modes

The FX9 has a selection of backup recording modes that will help ensure the recording is safe. Simul Rec will enable simultaneous HD recording onto two media cards. The 4K/HD Sub Rec mode will allow 4K recording on one card and MPEG HD recording on another card. XAVC Proxy Rec is also available, offering a 9 Mb/s small size proxy file which will be easily sent via network. Also, a maximum 28-second Cache Rec is available to prevent missing any shot.

Multi-Interface (MI) Shoe

Sony’s flexible Multi-Interface (MI) shoe provides power, signal connections, and coordinated on/off switching with compatible Sony accessories.

Image Sensor
Image Sensor Size 35.7 x 18.8 mm (Full-Frame)
Sensor Type CMOS
Sensor Resolution Effective: 3840 x 2160
ISO 800 to 4000 (Native)
Gain -3 to 18 dB
Advertised Dynamic Range 15 Stops
Signal-to-Noise Ratio 57 dB
Camera
Lens Mount Sony E-Mount
Shutter Speed 1/1 to 1/8000 sec
Built-In ND Filter 4 to 128 Stop Electronic ND Filter
Built-In Microphone Type Mono
Recording Media 2 x XQD Card Slots
1 x SDXC/Memory Stick PRO Duo Hybrid Card Slot
Internal Recording
Recording Modes XAVC-I 4:2:2 10-Bit:
3840 x 2160p at 23.98/25/29.97/50/59.94 fps (240 to 600 Mb/s)
1920 x 1080p at 23.98/25/29.97/50/59.94/100/120 fps (89 to 222 Mb/s)
1920 x 1080i at 50/59.94 fps (112 Mb/s)
XAVC-L 4:2:2 10-Bit:
3840 x 2160p at 23.98/25/29.97/50/59.94 fps (100 to 150 Mb/s)
1920 x 1080p at 25/29.97/50/59.94/100/120 fps (25 to 50 Mb/s)
1920 x 1080i at 50/59.94 fps (50 Mb/s)
MPEG HD422 4:2:2 10-Bit:
1920 x 1080p at 23.98/25/29.97 fps (50 Mb/s)
1920 x 1080i at 25/50/59.94 fps (50 Mb/s)
XAVC Proxy 4:2:0 10-Bit:
1920 x 1080p (9 Mb/s)
1280 x 720p (6 to 9 Mb/s)
640 x 360p (3 Mb/s)
Gamma Curve Sony S-Log 3
Audio Recording XAVC: 4-Channel 24-Bit 48 kHz LPCM Audio
Proxy: 2-Channel AAC Audio
Interfaces
Video Connectors 1 x BNC (12G-SDI) Output
1 x BNC (3G-SDI) Output
1 x HDMI (HDMI 2.0) Output
Audio Connectors 2 x 3-Pin XLR Mic/Line Level (+48 V Phantom Power) Input
1 x 1/8″ / 3.5 mm Stereo Headphone Output
Other I/O 1 x BNC Genlock Data Input
1 x BNC Timecode Data Input/Output
1 x 2.5 mm LANC Control
1 x USB Micro-B USB 3.1 Gen 1 Data
Wireless Interfaces 2.4 GHz, 5 GHz Wi-Fi
EVF
EVF Included
EVF Display Type LCD
Screen Size 3.5″
EVF Resolution 2,760,000 Dots
Power
Battery Type Sony BP-U Series
Power Connectors 1 x Barrel (19.5 VDC) Input
Power Consumption 35.2 W
Environmental
Operating Temperature 32 to 104°F / 0 to 40°C
Storage Temperature -4 to 140°F / -20 to 60°C
General
Accessory Mount 1 x Multi-Interface Shoe
1 x 1/4″-20 Female
Dimensions 5.75 x 5.61 x 9.02″ / 146 x 142.5 x 229 mm (Without Protrusions)
Weight 4.4 lb / 2 kg

Tempo de gravação/reprodução [XAVC Intra]

  • XAVC-I DCI4K/QFHD 50p — Cartão XQD 256 Gb: Aprox. 52 min
  • XAVC-I DCI4K/QFHD 25p — Cartão XQD 256 Gb: Aprox. 104 min
  • XAVC-I HD 50p — Cartão XQD 256 Gb: Aprox. 114 min
  • XAVC-I HD 50i/25p — Cartão XQD 256 Gb: Aprox. 210 min

Tempo de gravação/reprodução [XAVC Longo]

  • XAVCa-L QFHD 59.94p/50p — Cartão XQD 256 Gb: Aprox. 172 min
  • XAVC-L QFHD 29.97p/25p/23.98p — Cartão XQD 256 Gb: Aprox. 250 min
  • XAVC-L HD 50 59.94i/29.97p/50i/25p/ 23.98p/59.94p/50p — Cartão XQD 256 Gb: Aprox. 450 min
  • XAVC-L HD 35 59.94i/29.97p/50i/25p/ 23.98p/59.94p/50p — Cartão XQD 256 Gb: Aprox. 610 min
  • XAVC-L HD 25 59.94i/50i — Cartão XQD 256 Gb: Aprox. 820 min

Tempo de operação da bateria

  • Aprox. 54 min, com bateria BP-U35 (durante gravação XAVC-I QFHD 59.94p, lente SELP28135G, visor ligado, sem uso de dispositivo externo)
  • Aprox. 130 min, com bateria BP-U90 (durante gravação XAVC-I QFHD 59.94p, lente SELP28135G, visor ligado, sem uso de dispositivo externo)

Peso

  • Aprox. 2,0 kg (somente corpo)
  • Aprox. 4,8 kg (compreendendo visor, ocular, comando remoto na alça, bateria BP-U35, lente SELP28135G, um cartão de memória XQD)

Dimensões (L x A x C)

  • 146 x 142,5 x 229 mm

KEY FEATURES

  • 1920 x 1080 Touchscreen Display
  • HDMI 2.0 Input/Output
  • Record up to 8K30 ProRes Raw
  • H.265 Codec Download License Included
  • 10-Bit Exterior Viewable Monitor
  • 1000 cd/m² Brightness
  • AtomHDR Mode with 10-Stop Dynamic Range
  • Records to 2.5″ Mini or Standard SSDs
  • 10-Bit 4:2:2 ProRes & DNxHR Encoding
  • Single Sony L-Series Battery Slot

The Ninja V+ can record Apple ProRes raw up to 8K30 or DCI 4K120 directly from the sensor, and it is compatible with select cameras such as the Canon R5. It also includes a H.265 free-to-download license to record with the high-quality, low-bandwidth codec for up to 10-bit recording in ProRes 4:2:2. Display features include a 10-bit screen with a brightness of 1000 cd/m² AtomHDR technology for accurate monitoring of your log gamma footage, and support for popular log formats from Sony, ARRI, Canon, JVC, Panasonic, Nikon, RED, Sony, and Z CAM cameras.

Built to withstand the rigors of production, the Ninja V+ features an aluminum chassis and powers from a single L-series battery. Additional features include a variety of on-screen exposure analysis, framing, anamorphic de-squeeze, and focus assist tools. Separately available AtomX SDI, AtomX SYNC, Connect 4K modules, and an SDI Raw license key further expand your Ninja V+ capabilities.

Display
Panel Type IPS-Type LCD
Display Size 5.2″ / 13.2 cm
Resolution 1920 x 1080
Aspect Ratio 16:9
Touchscreen Yes
Maximum Brightness 1000 cd/m2
Bit Depth / Color Support 8-Bit+FRC (1.07 Billion Colors)
HDR Compatibility Advanced HDR
Pixels Per Inch (ppi) 423 ppi
Color Gamut 100% Rec. 709
Real-Time LUT Monitoring SDR
Image Controls Anamorphic De-Squeeze, Blue Only, False Color, Focus Peaking, Pixel Zoom, RGB Parade, Scaling, Vectorscope, Waveform, Zebra
I/O
Video 1 x HDMI Type A (HDMI 2.0) Input
1 x HDMI Type A (HDMI 2.0) Output
Embedded Audio HDMI: 2-Channel
HDMI: 8-Channel
Audio 1 x 1/8″ / 3.5 mm Mic/Line Input
1 x 1/8″ / 3.5 mm Headphone Output
Built-In Speaker None
Power 1 x D-Tap Input
Other I/O 1 x LANC (2.5 mm)
Media/Memory Card Slot None
Format Support
Video Format HDMI (8/10-Bit 4:2:2)
8K Raw: 30
4K Raw: 120/60/30
DCI 4K: 120/60/50/30/25/24
UHD 4K: 60/50/30/25/24
1080p: 120/60/50/30/25/24
1080i: 60/50
720p: 60/50
Gamma Curve Rec709
Video Signal Conversion HDMI to SDI
DCI 4K: 60/50/30/25/24
UHD 4K: 60/50/30/25/24
1080p: 120/100/60/50/30/25/24
1080i: 60/50
720p: 60/50
Timecode Support Yes
Recording
Pulldown Conversion 2:2, 3:2
Camera Trigger HDMI
Pre-Roll Record 4K: 2 Seconds
Full HD: 8 Seconds
Encoding Formats Up to 7680 x 4320
ProRes 422, HQ, LT, Raw, Raw HQ 8/10-Bit 4:2:2 at up to 120 fps
H.265 422 10-Bit 4:2:2 at up to 120 fps
H.265 422 8/10-Bit 4:2:0 at up to 120 fps
DNxHR HQ, HQX, LB, SQ 8/10-Bit
Maximum Audio Tracks 12
Metadata Tagging 10
Power
DC Input Power 6.2 to 16.8 VDC
Built-In Battery None
Battery Type 1 x L-Series
Power Consumption 10 W (Typical)
22 W (Maximum)
Mounting
Mounting 2 x 3/8″-16 Female
Environmental
Operating Temperature 104°F / 40°C
General
Material of Construction Aluminum, Polycarbonate
Dimensions 5.9 x 3.6 x 1.2″ / 151 x 91.5 x 31.5 mm
Weight 12.7 oz / 360 g
  • Enables ENG-style shoulder mounting
  • Attachment for powering camera from a V-mount battery
  • 4-pin XLR DC input
  • D-Tap power output
  • 4-pin Hirose power output
  • One LAN and two USB ports for live streaming and XDCAM Air capability
Sony FX9 – Testes de filmagem em Lisboa (por Digital Azul)
SONY FX9 TEST SHOTS - Amazing colour and autofocus!
Sony FX9 Full Frame Digital Cinema Camera | First Look
Sony PXW-FX9 - In-Depth Review
Vocas Sony PXW-FX9 Days Netherlands with Alister Chapman - 3,5 hours of detailed info in 4K!
Sony PXW-FX9 - Explained & First Look
Testing the High ISO | Sony FX9
Sony FX9 – Footage & Hands-on with the Full-Frame, Fast Hybrid Autofocus, Dual ISO Camera
DoP Alister Chapman talks Sony FX9 (1h48min)
Sony FX9 6K Full Frame Camera
Sony FX9 Series | Introduction & S-Cinetone
Sony FX9 camera review