Blackmagic Pocket Cinema Camera 4K
100,00 € + IVA /day
We have 2 Blackmagic Pocket Cinema cameras available for rent. If you need more quantity, please contact us.
4/3″ Image Sensor / Dual Native ISO
The Pocket Cinema Camera 4K uses a 4/3″ sensor, 13 stops of dynamic range, and a dual native ISO up to 25,600 to capture rich images at resolutions up to DCI 4K.Active Micro Four Thirds Lens Mount
Use lightweight, electronically-controlled MFT lenses, or use separately available adapters to expand your lens choices to include PL, C, or EF-mount lenses.CinemaDNG Raw and ProRes Options
Choose from CinemaDNG Raw and ProRes 422 files options depending on your project’s needs.Shooting Resolutions
4096 x 2160 (DCI 4K), 3840 x 2160 (Ultra HD 4K), 1920 x 1080 (HD)5″ Touchscreen Display
Articles included in this rental
- 1 Blackmagic Pocket Cinema Camera
- 1 Camera Charger
- 4 Batteries
- 1 Double battery charger
- 1 XLR to mini-XLR cable
- 4 64Gb Extreme PRO, 95Mb/s memory cards
- Optional: 1x SSD 1Tb disk (if you need to record RAW 4K uncompressed (Please consult the “Q&A” section for Codecs and recording times)
- Optional: 1 Tripod – (50% off the current price) – please check our list of tripods
- Optional: 1 Metabones Speedbooster XL 0,64x II EF para MFT – (50% off the current price)
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Additional Information
A large 5″ touchscreen display reduces the need for an externalon-board monitor, while a full-sized HDMI port enables you to output a signal to a larger display on your video village.CFast 2.0, SD/UHS-II, and USB Type-C Capture
Internally record to CFast 2.0 or SD/UHS-II card slots, or capture longer clips using the USB-C output to an external drive.Flexible Power Options
The Pocket Cinema Camera 4K can be powered using a rechargeable Canon LP-E6 type battery or the included power supply.
The Blackmagic Design Pocket Cinema Camera 4K features a 4/3″ sensor for capturing up to 4096 x 2160 DCI 4K images in a variety of codecs including CinemaDNG Raw/Raw 3:1/Raw 4:1, and various ProRes 422 options. Slow-motion rates up to 120 fps are available in cropped Full HD.
Its Micro Four Thirds lens mount accommodates the original, lightweight Pocket Cinema Camera lenses, and can be used with PL, C, EF, and other lenses with the use of separately available adapters. A dual-native ISO up to 25,600 is featured for low-light capture, and 13 stops of dynamic range provide rich HDR images.
Record using the internal CFast 2.0 and SD/UHS-II card slots, or employ the USB-C output for capturing longer clips to an external drive. The Pocket Cinema Camera 4K’s 5″ touchscreen LCD display reduces the need for an external, onboard monitor, while a full-sized HDMI port enables you to output a signal to a larger display. The menu and interface are the same as the ones found on the URSA Mini camera, and 3D LUTs can be applied for monitoring or for baking in your look when you’re ready to commit.
Audio features include a mini-XLR input with phantom power for pro-style mics, a 3.5mm jack, and an internal stereo mic. Additional features include the same Blackmagic OS as the URSA Mini, and Bluetooth remote control. A license key for DaVinci Resolve Studio is included for versatile post-production control. The Pocket Cinema Camera 4K’s carbon fiber composite build provides lightweight strength and durability, and power options include running off a Canon LP-E6 type battery or the included power supply.
| Image Sensor | |
|---|---|
| Image Sensor Size | 18.96 x 10.00 mm (4/3″) |
| Sensor Type | CMOS |
| Shutter Type | Rolling Shutter |
| ISO | 100 to 25,600 (Native) |
| Advertised Dynamic Range | 13 Stops |
| Camera | |
|---|---|
| Lens Mount | Micro Four Thirds |
| Lens Communication | Yes |
| Built-In ND Filter | None |
| Built-In Microphone Type | Stereo |
| Recording Media | 1 x CFast 2.0 Card Slot 1 x SDXC UHS-II Card Slot |
| Display | |
|---|---|
| Display Type | LCD |
| Screen Size | 5″ |
| Touchscreen | Yes |
| Screen Resolution | 1920 x 1080 |
| Power | |
|---|---|
| Battery Type | Canon LP-E6 |
| Power Connectors | 1 x Weipu SF610/S2 Input |
| Environmental | |
|---|---|
| Operating Temperature | 32 to 104°F / 0 to 40°C |
| Storage Temperature | -4 to 113°F / -20 to 45°C |
| Operating Humidity | 0 to 90% |
| General | |
|---|---|
| Accessory Mount | 1 x 1/4″-20 Female Thread |
| Tripod Mounting Thread | 1/4″-20 |
| Material of Construction | Carbon Fiber |
| Dimensions | 7 x 3.8 x 3.4″ / 177.8 x 96.52 x 86.36 mm |
On a 64GB SDXC (95mb/s) card how long can we record at 4KUHD 25p?
| Codec | Maximum Time |
| RAW LOSSLESS | Not allowed* |
| RAW 3:1 | 8 min |
| RAW 4:1 | 10 min |
| ProRes 422 HQ | 11 min |
| ProRes 422 | 16 min |
| ProRes 422 LT | 23 min |
| ProRes 422 PXY | 53 min |
On a 64GB SDXC (95mb/s) card how long can we record in HD 25p?
| Codec | Maximum Time |
| RAW LOSSLESS | 18 min |
| RAW 3:1 | 34 min |
| RAW 4:1 | 42 min |
| ProRes 422 HQ | 44 min |
| ProRes 422 | 66 min (1h06) |
| ProRes 422 LT | 94 min (1h34) |
| ProRes 422 PXY | 205 min (2h25) |
On a 1TB SSD disk how long can we record at 4KUHD 25p?
| Codec | Maximum Time |
| RAW LOSSLESS | 75 min (1h15) |
| RAW 3:1 | 142 min (2h22) |
| RAW 4:1 | 175 min (2h55) |
| ProRes 422 HQ | 180 min (3h00) |
| ProRes 422 | 269 min (4h29) |
| ProRes 422 LT | 384 min (5h34) |
| ProRes 422 PXY | 871 min (14h31) |
On a 1TB SSD disk how long can we record in HD 25p?
| Codec | Maximum Time |
| RAW LOSSLESS | 295 min (4h55) |
| RAW 3:1 | 556 min (9h16) |
| RAW 4:1 | 684 min (11h24) |
| ProRes 422 HQ | 717 min (11h57) |
| ProRes 422 | 1069 min (17h49) |
| ProRes 422 LT | 1523 min (25h23) |
| ProRes 422 PXY | 3319 min (55h19) |
* If you want to record in this format you will have to use the recording option on the 1TB SSD disk.
Note 1: All tests were done at 25fps, for higher frame rates, the recording time will be shorter.
Note 2: In 4KUHD RAW LOSSLESS, the maximum frame rate allowed is 30fps. For frame rates greater than 30fps, the maximum quality allowed is 4K RAW 3: 1.
