Mesa Mistura Áudio Digital Allen & Heath SQ5 c/ Técnico de Som
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Mesa Mistura áudio digital Allen & Heath SQ5 de 48 channel / 36 bus disponível para alugar na Digital Azul com Técnico de Som.
Artigos incluídos neste aluguer
- 1x 48 channel / 36 bus Digital Mixer Allen & Heath SQ5
- 1x Power Cord
- Sound Engineer
Informação Adicional
A Allen & Heath SQ-5 é uma mesa de mistura digital de 48 canais e 36 barramentos, ideal para som ao vivo, áudio-visual corporativo, estúdios de gravação e locais de culto. A SQ-5 dispõe de 16+1 faders motorizados e 16 pré-amplificadores de microfone de qualidade profissional. Conta ainda com oito motores de efeitos estéreo com canais de retorno dedicados e acesso à biblioteca RackExtra FX. As 12 saídas estéreo da mesa (configuráveis como grupos ou auxiliares) são especialmente adequadas para sistemas de monitorização intra-auricular (in-ear), enquanto a função de mistura automática de microfones (Auto Mic Mixing) oferece uma operação rápida e intuitiva para conferências, debates e muito mais.
No coração da SQ-5 encontra-se o motor XCVI Core FPGA de 96 kHz, que proporciona áudio profissional de alta resolução, latência ultra-baixa (inferior a 0,7 ms), profundidade de bits variável para melhor desempenho em precisão e ruído, coerência de mistura até ao nível da amostra, e capacidade para gerir elevados números de canais/misturas, bem como processamento de efeitos abundante. A arquitectura de processamento DEEP da SQ permite seleccionar emulações de compressores e pré-amplificadores de boutique, integrando-os directamente nos canais de entrada e de mistura, sem acrescentar latência ao sistema ou complicações na configuração.
O painel frontal é centrado num écran táctil capacitivo de 7″, ladeado por codificadores iluminados de alta aderência, que oferecem um feedback visual claro e controlo prático e rápido. Pode-se arrastar e soltar canais e misturas para qualquer tira de fader, com possibilidade de nomeação personalizada e codificação por cores, permitindo construir um ambiente de mistura adaptado ao seu fluxo de trabalho. A SQ-5 inclui ainda teclas programáveis (softkeys), que podem ser livremente atribuídas a qualquer função para um fluxo de trabalho mais avançado e personalizado. O gravador incorporado utiliza uma porta USB Tipo A para gravar sessões estéreo e multifaixa directamente para uma pen USB. O gravador também permite a reprodução de ficheiros estéreo e multifaixa, ideal para verificações sonoras virtuais (virtual soundchecks) e mistura em estúdio.
A SQ-5 oferece opções de expansão através dos expansores de palco (stage boxes) da Allen & Heath, ou através da instalação de uma placa opcional Dante ou Waves, para adaptar e expandir utilizando as mais recentes tecnologias digitais. A série SQ é totalmente compatível com o ME Personal Mixing System, permitindo que os músicos controlem as suas próprias misturas de monitorização. Qualquer número de misturadores pessoais ME-1 e ME-500 pode ser ligado em cadeia a partir da porta SLink da mesa ou de um expansor remoto ligado. A Allen & Heath SQ-5 é fornecida com cabo de alimentação.
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- Compact digital mixer for live, studio, and installation
- 48 input channels
- 16 local mic inputs (XLR)
- Two 1/4” stereo inputs (TRS)
- One 1/8″ stereo input
- 36 total busses
- 12 stereo mixes (Aux or Group) + Main
- PAFL bus
- 14 assignable local outputs (12 XLR + two 1/4” TRS)
- AES digital output
- Dedicated talkback mic input (XLR)
- 1/4″ TRS headphone out with dedicated control
- SLink EtherCON connection for remote audio using dSnake, DX, or gigaACE protocol (64×64 channels)
- I/O port for option card (including 3rd party protocols – Dante/Waves)
- 8 mute groups
- 8 DCA groups
- 8 stereo FX with dedicated FX returns
- DEEP processing ready
- RackFX effects suite
- 7″ color touchscreen
- 8 assignable SoftKeys
- Dedicated physical controls for channel processing (Gain, HPF Frequency, Gate Threshold, Compressor Threshold, Pan, EQ Gain/Frequency/Width)
- 16+1 faders with 6 layers for 96 assignable channel strips
- Motorized faders for sends on faders, GEQ fader flip, and mix recall
- 16 backlit LCD channel-strip displays
- Single-point metering
- Integrated surface illumination
- Single/dual footswitch control
- Input channel linking for stereo sources
- Patchable insert points
- Input processing – Preamp, HPF, Gate, PEQ, Compressor, Delay
- Output processing – PEQ, Graphic EQ, Compressor, Delay
- Automatic mic mixing
- 31-band, real-time analyzer (RTA)
- Quick copy/paste/reset for parameters
- User permissions to restrict operator access
- 300 scene memories per show
- Channel safes, global and per-scene recall filters
- FX, processing, and channel libraries
- SQ-Drive for stereo and multitrack recording/playback direct to USB drive
- USB transfer of scenes, libraries, shows
- 32×32 channel USB streaming to/from Mac/Windows
- DAW control driver for MIDI control via USB or TCP/IP
- Wireless remote mixing apps for iPad and Android
- Compatible with ME personal-monitoring range
- 16 Microphone Preamps
- 7″ Capacitive Touchscreen
- 96 kHz FPGA Processing
- Eight Stereo FX Engines with Returns
- 32 x 32 USB Audio Interface
- AES Output
- 12 Stereo Mixes + LR
- Channel LCD Displays
- 8 Assignable SoftKeys
- SLink Port for Remote Audio & Expansion
| Mic/Line Inputs | Mic/Line Inputs: Balanced XLR, fully recallable Input Sensitivity: -60 to +0 dBu Switchable Pad: -20 dB Analog Gain: 0 to +60 dB, 1 dB steps Maximum Input Level: +30 dBu Input Impedance: >5 kOhms THD+N, Unity Gain (0 dB): 0.002% -92 dBu (20 Hz – 20 kHz, AES direct out, @ 0 dBu 1 kHz) THD+N, Mid-Gain (+30 dB): 0.003% -91 dBu (20 Hz – 20 kHz, AES direct out, @ -30 dBu input 1 kHz) Phantom Power +48V (+3V / -2V) |
| Stereo Line Inputs | ST1, ST2 Connectors: Balanced, 1/4″ / 6.35 mm TRS ST3 Connector: Unbalanced, stereo 1/8″ / 3.5 mm Input Sensitivity (ST1, ST2 / ST3): Nominal +4 dBu ST1, ST2 / 0 dBu ST3 Trim: +/-24 dB Maximum Input Level (ST1,ST2 / ST3): +22 dBu / +18 dBu Input Impedance: >7 kOhms |
| Analog Outputs | Outputs 1-12: Balanced, XLR Outputs A and B: Balanced 1/4″ / 6.35 mm TRS Source: Patchable Output Impedance: <75 Ohms Nominal Output: +4 dBu = 0 dB meter reading Maximum Output Level: +22 dBu Residual Output Noise: -90 dBu (muted, 20 Hz to 20 kHz) |
| AES Digital Audio Outputs | AES Digital Output: Balanced XLR, 2 channel 96 kHz sampling rate (default with SRC bypassed) Switchable Output Sample Rates: 44.1, 48, 88.2 (96 kHz) 2.5 Vpp balanced terminated 110 Ohms |
| Network Connections | Connection Neutrik EtherCON (RJ45) dsnake mode (48 kHz devices)*: 64 channels assignable, compatible with AR2412, AR84, AB168, ME dx mode (96 kHz Devices): 32 channels assignable*, compatible with DX168 gigaACE (96 kHz Devices): 128 channels assignable, compatible with dLive, SQ and DXHub* Inputs: Fully patchable Outputs: Fully patchable Sync/SRC: Assignable as master audio sync for all modes*SRC 64 channel |
| I/O Expansion Module | Multichannel IO option module Inputs: Fully patchable Outputs: Fully patchable Sync/SRC assignable as master audio sync |
| Audio Specifications | Measured balanced XLR in to XLR out, 0 dB gain, 0 dBu input |
| Dynamic Range | 112 dB |
| Frequency Response | 20 Hz to 20 kHz (+0/-0.5 dB) |
| Headroom | +18 dB |
| Operating Level | Internal Operating Level: 0 dBu |
| THD+N | THD+N, Mic/Line Routed to Main L/R Out: Unity gain faders @ 0 dB, 0.006%, -84 dBu (20 Hz to 20 kHz) |
| dBFS Alignment | +18 dBu = 0 dBFS (+22 dBu at XLR output) |
| Metering Accuracy | Meter Calibration: 0 dB meter = -18 dBFS (+4 dBu at XLR out) |
| Metering | Main Meter Type: 2 x 12 segment, fast (peak) response Channel Meter Type: Single point metering, fully programmable color/brightness Peak Indication: -3 dBFS (+19 dBu at XLR out), multi-point sensing |
| Sampling Rate | 96 kHz |
| Bit Depth | Uses XCVI core custom bit widths in algorithms, up to 96-bit |
| Latency | <0.7 ms, local mic input routed to main L/R. (direct, no EQ/ effects) |
| Faders | 3.9″ / 100.0 mm |
| Touch Screen | 7.0″ / 177.8 mm, capacitive, 800 x 480 resolution, 24-bit RGB |
| Softkeys | 8 |
| Groups | Mute Groups: 8 DCA Groups: 8 |
| Network | TCP/IP Ethernet for MIDI and control |
| MIDI | TCP/IP and USB Type-B |
| Footswitch | Single or dual, momentary or latching |
| Source | Channels 1-48: Fully patchable Global Source: SQ-Drive or USB Type-B streaming |
| Polarity | Normal/inverted |
| Trim | -24 to +24 dB |
| High Pass Filter | 12 dB/octave 20 Hz to 2 kHz |
| Insert | Insert (Pre EQ/Comp): Fully patchable |
| Delay | Up to 341 ms |
| Gate | Gate: Patchable sidechain Sidechain Filter: Hi-pass (20 to 5 kHz), Band-pass (120 Hz to 10 kHz), Lo-pass (120 Hz to 20 kHz) Threshold / Depth: -72 dBu to +18 dBu / 0 to 60 dB Attack / Hold / Release: 50 μs to 300 ms / 10 ms to 5 seconds / 10 ms to 1 second |
| Parametric Equalizer | PEQ: 4-band fully parametric, 20 Hz to 20 kHz, ±15 dB Band 1, Band 4: Selectable shelving (Baxandall), bell Band 2, Band 3: Bell Bell Width: Variable Q, 1.5 to 1/9th octave |
| Compressor | Compressor: Patchable sidechain Sidechain Filter: Hi-pass (20 to 5 kHz), Band-pass (120 Hz to 10 kHz), Lo-pass (120 Hz to 20 kHz), Q=1 Threshold / Ratio: -46 dBu to 18 dBu / 1:1 to infinity Attack / Release: 30 μs to 300 ms / 50 ms to 2 seconds Knee: Soft/hard Detector Response: Peak/RMS switchable Parallel Path Compression: Dry/wet -infin to 0 dB |
| Channel Direct Out | Follow fader, mute, mute group, DCA (global all channels) |
| Source Selection | Post-Preamp, Post-HPF, Post Gate, Insert Return, M Post PEQ, Post Comp, Post Delay Trim: -∞ to 10 dB per channel |
| Insert | Insert (Pre EQ/Comp): Fully patchable |
| Delay | Up to 682 ms |
| Graphic Equalizer | 28 bands 31 Hz to 16 kHz, ±12 dB gain, constant 1/3 octave |
| FX | Internal FX: 8 x RackFX engine, Send>Return or Inserted (4 dedicated fx bus) Types: SMR Reverb, StereoTap Delay, Gated Reverb, ADT, BlueChorus, Symphonic Chorus, Flanger, Phaser 8 x Dedicated Stereo FX Returns: Fader, Pan, Mute, Routing to Mix/LR, 4-Band PEQ |
| PAFL | PFL or stereo in-place AFL, 0 to -24 dB trim, PAFL Delay up to 682 ms |
| Talkback | Dedicated input, assignable to any mix, Gain, Pad, 48 V, 12 dB/oct HPF |
| Signal Generator | Assignable to any mix, (sine/white/pink/bandpass noise) |
| RTA Real Time Analyzer | 31-bands, 1/3 octave 20 Hz to 20 kHz, follows PAFL source |
| Recorder | SQ-Drive: USB Type-A Stereo Record: 2-channel, WAV, 96 kHz, 24-bit, source fully patchable Stereo Playback: 1/2-channel, WAV, 44.1, 48, 96 kHz, 16-/24-bit, source fully patchable Multitrack Record: 16-channel, WAV, 96 kHz, 24-bit, track sources fully patchable Multitrack Playback: 16-channel, WAV, 96 kHz, 24-bit fully patchable |
| USB Audio | USB Audio Streaming: USB Type-B, Core Audio compliant, ASIO/WDM for Windows Send (Upstream): 32-channel, 96 kHz, 24-bit Return (Downstream): 32-channel, 96 kHz, 24-bit |
| Power | 100 to 240 VAC, 50 / 60 Hz Maximum Power Consumption: |
| Operating Temperature | 32 to 104°F / 0 to 40°C |
| Dimensions (W × H × D) | 17.3 x 20.3 x 7.8″ / 440.0 x 514.9 x 198.0 mm |
| Weight | 23.1 lb / 10.5 kg |
