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Sony FX3 + Tilta Cage + Handle

150,00  + IVA /day

Sony’s FX3 Cinema Line camera brings content creators’ vision to life with high-sensitivity, wide-dynamic-range full-frame performance, with 4K (QFHD)recording at 120 fps and cinematic color science with S-Cinetone, Cinematic expression is combined with reliable performance and simplified operation to meet the needs of today’s creative community.

  • 12.1MP Full-Frame CMOS Exmor R Sensor
  • UHD 4K up to 120 | 1080p up to 240
  • Compact Form for Cage-Free Operation
  • 10-Bit 4:2:2 XAVC S-I,16-Bit Raw Output
  • S-Cinetone/S-Log3/HLG, 15+ Stops DR
  • Detachable 2 x XLR/TRS Adapter Handle
  • Phase Detection AF/Face Tracking/Eye AF
  • 80 to 409,600 Expanded ISO Range
  • Dual CFexpress Type A/SDXC Card Slots

Articles included in this rental

  • 1x Sony FX3 Full-Frame Cinema Camera
  • 1x XLR Handle Unit
  • 1x Accessory Shoe Cap
  • 1x Accessory Shoe Kit
  • 1x Body Cap
  • 1x Handle Shoe Cap
  • 1x Power Cord
  • 1x USB Type-A to Type-C Cable (USB 3.2)
  • 2x CF Express cards 160Gb
  • Tilta Cage Sony FX3
  • Tilta Baseplate 15mm LWS Type VI
  • Tilta Baseplate Adapter LWS Type III
  • Advanced Left Side Handle Titaing
  • 1x Tripod – optional (50% off) – please consult our tripod list

Rent this item

The selected dates should refer to the dates when the equipment is used, excluding the picking and returning dates. Special conditions for long term rentals. Contact us

Additional Information

Sony FX3

With a compact design for solo shooters, travel applications, and to serve as an ideal B cam, the Sony FX3 borrows from both the Cinema Line and Alpha series of cameras to create an optimized portable cinema camera. The FX3 features all of the imaging attributes you’d expect from this class but sports a newly designed body that’s hand-holdable, with a streamlined and minimal profile, and has a “cage-free” design, indicating the ability to secure various accessories directly to the camera body.

Its 12.1MP Exmor R BSI CMOS sensor (10.2MP effective in video mode) pairs with a BIONZ XR processor to achieve UHD 4K video capture with internal 10-bit 4:2:2 sampling or 16-bit raw output. The sensor’s BSI design heightens clarity and sensitivity, with an expandable ISO 80-409600 range and greater-than 15-stop dynamic range for working in mixed lighting conditions. Benefitting color and tonal control, an S-Cinetone mode can be used for matching to VENICE, FX9, or FX6 sources and there is also S-Log3/2 gamut support and 10-bit HLG for simple HDR productions. The sensor and processor also work together to greatly reduce rolling shutter and the sensor’s design incorporates a Fast Hybrid AF system for intelligent and quick focusing performance and subject tracking.

Beyond the physical design just being compact, it’s also built to maximize efficiency and operability through the inclusion of an articulating 3.0″ touchscreen LCD, a removable shoe-mounted top handle with dual XLR mic inputs, and 5-axis mechanical image stabilization for smoother handheld recording.

Most Compact Member of the Cinema Line Family

This compact addition to Sony’s Cinema Line blends the full-frame, S-Cinetone capture of the FX6 with the UHD 4K capture, autofocus options, and body size of the a7S III camera. The video-forward design of the FX3 also shares several handling and audio features with the FX6 and the ISO range and battery of the a7S III.

Common FX3/FX6/a7S III Features

  • Full-frame, back-illuminated 12.1MP Exmor R CMOS sensor and BIONZ XR processor
  • High-speed rates of 120p in 4K and 240p in HD
  • Dynamic range of 15+ stops

Shared FX3/FX6 Attributes

  • S-Cinetone, S-Log3, HLG, and Rec. 709 gamma options
  • Tally lamps on the front, side, and rear
  • Internal fan to prevent overheating
  • Zoom lever

Shared FX3/A7S III Attributes

  • 5-axis in-body image stabilization
  • 16-bit raw output via HDMI
  • S-Log2 gamma choice
  • 80 to 409,6000 ISO range (expanded)

Improved FX3 Features

  • Comfortable, cage-free, handheld operation
  • Greater than 1.6x battery runtime compared to a7S II
  • USB-PD power option for extended shooting times

4K Full-Frame CMOS Exmor R Sensor

The 12.1MP Exmor R sensor and BIONZ XR processor offer true cinematic expression with 10.2MP effective video and 12.1MP stills capture. The full-frame sensor provides shallow depth of field looks, impressive bokeh, and reduced rolling shutter artifacts.

S-Cinetone Color

 

  • Default S-Cinetone color setting provides a softer-toned look with beautiful skin tone reproduction
  • Complements your VENICE, FX9, or FX6 footage
  • S-Log-3, S-Gamut3, S-Gamut3.Cine, and 10-bit 4:2:2: support help to maintain rich gradation and color compatible with the range of Sony Cinema Line cameras

Cinematic Recording / Frame Rate Options

  • Up to 600 Mb/s XAVC S-I ALL-I H.264 codec recording
  • XAVC HS codec recording with H.265 encoding for lower bit rates in Long GOP
  • Internal 10-bit 4:2:2 recording to CFexpress Type A or SD memory cards
  • External, 16-bit raw,10-bit 4:2:2 output via HDMI type-A port
  • 8-bit XAVC S or 10-bit XAVC HS proxy capture
  • 10-bit, 4:2:2 color available in all formats including HLG
  • Full-frame UHD 4K high-speeds up to 120p
  • S35 HD high-speed rates up to 240p
  • Up to 5x slow-motion rates

Compact Design / Ergonomic Operation

  • Flexible, streamlined, 5 x 3 x 3″ form
  • 3″ LCD with 1,440,000-dot resolution tilts for optimal viewing
  • Can be used with or without a cage
  • Right-handed controls feature placement consistent with the rest of the Cinema Line
  • Five 1/4″-20 accessory threads on the FX3 body plus two on the top handle
  • Intuitive touchscreen menu
  • Customizable buttons for assigning 15 controls and up to 140 menu items
  • Tally (record) lights are easily viewable on the top, front, and rear of the camera
  • Dual CFexpress Type A/SD slots
  • Relay, simultaneous, and backup recording
  • Customizable zoom setting plus Clear Image Zoom

Detachable XLR Adapter Handle

  • Top handle with two XLR-1/4″ TRS combo audio inputs
  • Microphone holder and 3.5mm mic input
  • Digital audio with up to 4-channel, 24-bit recording
  • Contoured for comfortable low-angle shooting

Fast Hybrid / Phase Detection Autofocus

  • Multiple autofocusing modes are designed for solo shooting
  • Fast Hybrid AF uses 627 points to cover approximately 89% of the image frame
  • Real-Time Eye AF, Eye and Face Detection, and subject Touch Tracking

Durable Build / Enhanced Operating

  • An integrated cooling fan and a heat-dissipating design enable uninterrupted recording up to 4K60
  • Magnesium-alloy chassis and shell
  • Sealed against inclement weather and dust

Wireless Connectivity

  • Dual-band 2.4/5 GHz wireless connectivity
  • Wired LAN link using the USB Type-C port and a separate adapter

Post-Production Stabilization with E-Mount Lenses

  • Sony’s Catalyst Prepare/Browse software uses shake metadata to stabilize your image
  • Adjustable balance between shake compensation and image area trimming
Image Sensor
Sensor Size 35.6 x 23.8 mm (Full-Frame)
Sensor Type CMOS
Sensor Resolution Actual: 12.1 Megapixel
Effective: 10.2 Megapixel
Color Filter Bayer
Shutter Type Rolling Shutter
ISO 80 to 102,400 (Native)
80 to 409,600 (Expanded)
Advertised Dynamic Range 15 Stops
Camera
Lens Mount Sony E-Mount
Lens Communication Yes
Interchangeable Lens Mount None
Built-In ND Filter None
Built-In Microphone Type Stereo
Media/Memory Card Slot Dual Slot: CFexpress Type A
Dual Slot: SD/SDHC/SDXC
Variable Frame Rates UHD: 1 Up to 120 fps
4K Anamorphic (Windowed): 1 Up to 240 fps
Internal Recording
Recording Modes XAVC HS/XAVC S-I/XAVC S 4:2:2 10-Bit:
3840 x 2160p at 23.98/25/29.97/50/59.94/100/119.88 fps (600 Mb/s)
1920 x 1080p at 23.98/25/29.97/50/59.94/100/119.88/240 fps (600 Mb/s)
XAVC S 8-Bit:
1280 x 720p at 23.98/25/29.97/50/59.94/100/119.88/200/240 fps
Gamma Curve HDR-HLG, S Cinetone, Sony S-Log 2, Sony S-Log 3, Standard
Audio Recording 4-Channel 24-Bit LPCM Audio
2-Channel 24-Bit LPCM Audio
Still Image Support EXIF / JPEG / MJPEG / Raw
External Recording
Raw Output HDMI In Raw Mode:
4264 x 2408 16-Bit at 24/25/30/50/60 fps
3840 x 2160 16-Bit at 24/25/30/50/60 fps
1920 x 1080 16-Bit at 24/25/30/50/60 fps
Interfaces
Video Connectors 1 x HDMI Output
Audio Connectors 2 x XLR / 1/4″ TRS Combo Mic/Line Level Input on Included Handle
1 x 1/8″ / 3.5 mm Stereo Mic Level Input on Camera Body
1 x 1/8″ / 3.5 mm Stereo Headphone Output on Camera Body
Other I/O 1 x USB Type-C
1 x USB Micro-B
Wireless Interfaces 2.4 GHz, 5 GHz Wi-Fi
Display
Display Type Tilting Touchscreen LCD
Size 3″
Resolution 1,440,000 Dot
EVF
EVF Optional, Not Included
Power
Battery Type Sony Z-Series
Power Connectors 1 x USB Type-C Input
Power Consumption ≤7.3 W
Environmental
Operating Temperature 32 to 104°F / 0 to 40°C
Storage Temperature -4 to 140°F / -20 to 60°C
General
Accessory Mount 5 x 1/4″-20 Female
3 x 1/4″-20 Female
Tripod Mounting Thread 1/4″-20 Female
Material of Construction Magnesium Alloy
Dimensions 5.1 x 3.3 x 3.1″ / 129.7 x 84.5 x 77.8 mm
Weight 22.6 oz / 640 g
25.2 oz / 715 g

The table below shows the approximate total recording times using a memory card formatted with this camera. The values may vary depending on the shooting conditions and the type of memory card used.

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(h (hour), min (minute))

The recording times when [ page446image3829526832Proxy Recording] is set to [OFF]

The times shown are recordable times using a Sony memory card.
The duration of time available for movie recording varies depending on the file format/recording settings for movies, memory card, ambient temperature, Wi-Fi network environment, condition of the camera before you start recording, and condition of the charging of the battery.
The maximum continuous recording time for a single movie shooting session is approximately 13 hours (a product specification limit).

Note

The recordable time of movies varies because the camera is equipped with VBR (Variable Bit-Rate), which automatically adjusts image quality depending on the shooting scene. When you record a fast-moving subject, the image is clearer but the recordable time is shorter because more memory is required for recording. The recordable time also varies depending on the shooting conditions, the subject or the image quality/size settings.

Introducing Cinema Line FX3 | Sony | α
a Portrait of My Dog on Her Birthday - Sony FX3
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A Cinematic Cycling Film - SONY FX3 // Rapha RIDES Maui
Sony FX3 vs A7S III: What EXACTLY is a CINEMA CAMERA?
SONY FX3 vs BMPCC 6K PRO | Cinematic Review | ARRI Alexa Mini Comparison
Sony FX3 - Freedom of Movement
Sony FX3 in-depth review and comparison vs the FX6 & A7SIII
Sony FX3 | The REAL Pocket Cinema Camera
Sony FX3 vs A7S III: What EXACTLY is a CINEMA CAMERA?
SONY FX3 | S-CINETONE | 10 bit 4k | Surf, Sand and Sunset
SONY FX3 vs Black Magic Pocket Cinema 6K Pro
MY MINIMALIST SONY FX3 RIG // IN 2021
Sony FX3 | La nueva compacta de CINE | Review en Español
How to UPGRADE the Sony FX3!!
Sony FX3 Review - Every Filmmakers Dream Camera
Sony FX3 S-Cinetone | Video Dump
Sony FX3 First Impressions & Is It Better Than The a7S III | Making Of An Activewear Commercial
Fashion Film - [using SONY FX3 + SONY A7S III]
Sony A7S III vs FX3: Which is the BEST camera for YOU???
Sony FX3? - A better version of the A7SIII
Sony FX3 - 4K Cinematic Travelogue
Part 6 Sony fx3 with gmaster 24mm/ 1.4 / plus sennheiser mke 600 audio and video test
How to make an Accidental Film - Part1|Shot on Sony FX3
Sony FX3 X Atomos Ninja | ProRes RAW vs Internal 10-bit Recording | Side By Side Comparison
SONY FX3: MIRRORLESS FOR FILMMAKERS
First Impressions of the Sony FX3
Sony FX3 | First Impressions | No Cage Setup
SONY FX3 STUDIO CINEMA BUILD | RIG DREAMS
I switched to the Sony FX3... Heres why
Sony | Cinema Line FX3 | The Mission - A collaboration of Sony Indonesia Alpha Videographers
SONY FX3 - IN DEPTH USER REVIEW
Sony FX3 | All-In-One Compact Cinema Camera!
SONY FX3 vs SONY A7S III - THE DIFFERENCES
Sony FX3 vs A7S III - 10 Differences!
The Cinematic Relay | 4k | Shot on Cinema Line FX3 | Shubh Mukherjee
Sony Fx3 Short Film 'The Timeslip' cinematic footage
WALDEN - Official Sony FX3 Cinematic Short Film