Kits Sony FX9

One lens, the whole day: a parfocal servo zoom that never comes off the camera — the documentary and corporate workhorse, and the kit that keeps a single operator moving.

The PZ 28-135mm holds focus through the zoom, has a constant f/4 and built-in optical stabilisation, and its servo lets you ride a zoom smoothly on a live or observational shot. No lens changes means no dust on the sensor and no moment missed while you are swapping glass.

• Sony FX9 full-frame cinema camera, Sony E-mount
• 6K full-frame Exmor R sensor (6008 x 3168), 4K oversampled
• Dual Base ISO 800 / 4000, 15+ stops of dynamic range
• Internal 10-bit 4:2:2 XAVC-I up to UHD 4K 59.94p, HD up to 120fps
• Electronic variable ND 1/4 to 1/128, Fast Hybrid AF with Eye AF
• 12G-SDI, dual XLR inputs, 4-channel audio recording
• Sony FE PZ 28-135mm f/4 G OSS power zoom lens
• Parfocal — focus holds through the full zoom range
• Servo zoom and built-in optical stabilisation
• Full-frame coverage, native E-mount
• 1x Tripod — optional (50% off) — consult our tripod list

Included with this camera: the FX9 in this kit comes with the viewfinder/monitor, smart grip, top handle, shotgun microphone, BP-U batteries, charger, AC adapter, XQD cards, card reader, Sony and ARRI base plates and transport case.

The widest reach in the G Master line on a full-frame sensor — the kit for interiors you cannot back out of, work inside vehicles, and handheld sequences where the camera has to be close and still hold the whole room.

At 16mm on full frame the FX9 gives a genuinely wide field with no adapter and no crop, and the constant f/2.8 keeps exposure steady from one end of the zoom to the other. Fast Hybrid AF and Eye AF stay available throughout, which matters when you are moving and cannot pull focus by hand.

• Sony FX9 full-frame cinema camera, Sony E-mount
• 6K full-frame Exmor R sensor (6008 x 3168), 4K oversampled
• Dual Base ISO 800 / 4000, 15+ stops of dynamic range
• Internal 10-bit 4:2:2 XAVC-I up to UHD 4K 59.94p, HD up to 120fps
• Electronic variable ND 1/4 to 1/128, Fast Hybrid AF with Eye AF
• 12G-SDI, dual XLR inputs, 4-channel audio recording
• Sony FE 16-35mm f/2.8 GM zoom lens
• Constant f/2.8, native E-mount autofocus
• Full-frame coverage — no crop, 16mm stays 16mm
• 1x Tripod — optional (50% off) — consult our tripod list

Included with this camera: the FX9 in this kit comes with the viewfinder/monitor, smart grip, top handle, shotgun microphone, BP-U batteries, charger, AC adapter, XQD cards, card reader, Sony and ARRI base plates and transport case.

The single most useful lens on the shelf: one zoom that covers the interview, the cutaway and the establishing shot without ever coming off the camera.

The GM II is the lightest 24-70mm f/2.8 Sony has built, which matters on a camera you carry all day. On the FX9 full-frame sensor it gives the separation you would expect from a prime at 70mm and stays open enough at 24mm for handheld coverage in a normal room.

• Sony FX9 full-frame cinema camera, Sony E-mount
• 6K full-frame Exmor R sensor (6008 x 3168), 4K oversampled
• Dual Base ISO 800 / 4000, 15+ stops of dynamic range
• Internal 10-bit 4:2:2 XAVC-I up to UHD 4K 59.94p, HD up to 120fps
• Electronic variable ND 1/4 to 1/128, Fast Hybrid AF with Eye AF
• 12G-SDI, dual XLR inputs, 4-channel audio recording
• Sony FE 24-70mm f/2.8 GM II zoom lens
• Constant f/2.8, native E-mount autofocus
• The default one-lens choice for documentary and corporate
• 1x Tripod — optional (50% off) — consult our tripod list

Included with this camera: the FX9 in this kit comes with the viewfinder/monitor, smart grip, top handle, shotgun microphone, BP-U batteries, charger, AC adapter, XQD cards, card reader, Sony and ARRI base plates and transport case.

Reach and compression on full frame — the kit for stage, sport, wildlife and any observational work where getting closer simply is not an option.

200mm at f/2.8 on the FX9 full-frame sensor drops the background away completely, and the GM II zooms internally so the balance on a shoulder or a gimbal never changes mid-shot. Fast Hybrid AF holds a moving subject at the long end, where manual focus is least forgiving.

• Sony FX9 full-frame cinema camera, Sony E-mount
• 6K full-frame Exmor R sensor (6008 x 3168), 4K oversampled
• Dual Base ISO 800 / 4000, 15+ stops of dynamic range
• Internal 10-bit 4:2:2 XAVC-I up to UHD 4K 59.94p, HD up to 120fps
• Electronic variable ND 1/4 to 1/128, Fast Hybrid AF with Eye AF
• 12G-SDI, dual XLR inputs, 4-channel audio recording
• Sony FE 70-200mm f/2.8 GM II zoom lens
• Constant f/2.8, internal zoom — balance stays put
• Fast Hybrid AF tracking at the long end
• 1x Tripod — optional (50% off) — consult our tripod list

Included with this camera: the FX9 in this kit comes with the viewfinder/monitor, smart grip, top handle, shotgun microphone, BP-U batteries, charger, AC adapter, XQD cards, card reader, Sony and ARRI base plates and transport case.

Two lenses that cover 16 to 70mm with no gap — the standard documentary and corporate pairing, and the cheapest way to leave the warehouse ready for any interior.

Same aperture, same colour rendering and the same filter workflow across both, so you can swap mid-shoot without relighting or regrading. This is the sweet spot for a one-operator crew that still needs a genuine wide and a portrait focal length in the bag.

• Sony FX9 full-frame cinema camera, Sony E-mount
• 6K full-frame Exmor R sensor (6008 x 3168), 4K oversampled
• Dual Base ISO 800 / 4000, 15+ stops of dynamic range
• Internal 10-bit 4:2:2 XAVC-I up to UHD 4K 59.94p, HD up to 120fps
• Electronic variable ND 1/4 to 1/128, Fast Hybrid AF with Eye AF
• 12G-SDI, dual XLR inputs, 4-channel audio recording
• Sony FE 16-35mm f/2.8 GM zoom lens
• Sony FE 24-70mm f/2.8 GM II zoom lens
• Constant f/2.8 across both, matched colour rendering
• 1x Tripod — optional (50% off) — consult our tripod list

Included with this camera: the FX9 in this kit comes with the viewfinder/monitor, smart grip, top handle, shotgun microphone, BP-U batteries, charger, AC adapter, XQD cards, card reader, Sony and ARRI base plates and transport case.

Standard to 200mm in two lenses — the interview set: one zoom for the wide and the two-shot, one for the tight single and the cutaway, and no time lost moving between them.

This is the pairing that covers a seated interview and everything around it: 24-70mm on the A camera for the master, 70-200mm for the close single and the detail. Both at a constant f/2.8, both with native autofocus, both matched in colour so the two angles cut together cleanly.

• Sony FX9 full-frame cinema camera, Sony E-mount
• 6K full-frame Exmor R sensor (6008 x 3168), 4K oversampled
• Dual Base ISO 800 / 4000, 15+ stops of dynamic range
• Internal 10-bit 4:2:2 XAVC-I up to UHD 4K 59.94p, HD up to 120fps
• Electronic variable ND 1/4 to 1/128, Fast Hybrid AF with Eye AF
• 12G-SDI, dual XLR inputs, 4-channel audio recording
• Sony FE 24-70mm f/2.8 GM II zoom lens
• Sony FE 70-200mm f/2.8 GM II zoom lens
• Constant f/2.8 across both, matched colour rendering
• 1x Tripod — optional (50% off) — consult our tripod list

Included with this camera: the FX9 in this kit comes with the viewfinder/monitor, smart grip, top handle, shotgun microphone, BP-U batteries, charger, AC adapter, XQD cards, card reader, Sony and ARRI base plates and transport case.

The complete G Master set — 16 to 200mm at a constant f/2.8, with no focal length you cannot reach. The kit to book when the schedule is full and the locations are not all confirmed yet.

Three zooms, one aperture, one colour signature: nothing in the day forces a compromise. On the FX9 full-frame sensor the set runs from a tight interior at 16mm to a long lens portrait at 200mm, with Fast Hybrid AF and Eye AF available on all three.

• Sony FX9 full-frame cinema camera, Sony E-mount
• 6K full-frame Exmor R sensor (6008 x 3168), 4K oversampled
• Dual Base ISO 800 / 4000, 15+ stops of dynamic range
• Internal 10-bit 4:2:2 XAVC-I up to UHD 4K 59.94p, HD up to 120fps
• Electronic variable ND 1/4 to 1/128, Fast Hybrid AF with Eye AF
• 12G-SDI, dual XLR inputs, 4-channel audio recording
• Sony FE 16-35mm f/2.8 GM zoom lens
• Sony FE 24-70mm f/2.8 GM II zoom lens
• Sony FE 70-200mm f/2.8 GM II zoom lens
• 16 to 200mm with no gap, constant f/2.8 throughout
• 1x Tripod — optional (50% off) — consult our tripod list

Included with this camera: the FX9 in this kit comes with the viewfinder/monitor, smart grip, top handle, shotgun microphone, BP-U batteries, charger, AC adapter, XQD cards, card reader, Sony and ARRI base plates and transport case.

Cine zooms at close to the price of stills glass — two matched Fujinon MK covering 18 to 135mm with geared focus, iris and zoom rings, for crews that need to pull focus properly without paying for a prime set.

The MK pair is parfocal, holds T2.9 through the whole range, breathes very little and shares a common front diameter and gear position, so the matte box and follow focus stay exactly where they are when you swap lenses. They mount natively to Sony E with no adapter in the path.

• Sony FX9 full-frame cinema camera, Sony E-mount
• 6K full-frame Exmor R sensor (6008 x 3168), 4K oversampled
• Dual Base ISO 800 / 4000, 15+ stops of dynamic range
• Internal 10-bit 4:2:2 XAVC-I up to UHD 4K 59.94p, HD up to 120fps
• Electronic variable ND 1/4 to 1/128, Fast Hybrid AF with Eye AF
• 12G-SDI, dual XLR inputs, 4-channel audio recording
• Fujinon MK 18-55mm and 50-135mm T2.9 cine zooms
• Native Sony E-mount, no adapter needed
• Constant T2.9, parfocal, minimal breathing, geared rings
• Matched front diameter and gear position across both
• Super 35 coverage — run the FX9 in S35 scan mode, which oversamples 4K from the 6K sensor
• 1x Tripod — optional (50% off) — consult our tripod list

Included with this camera: the FX9 in this kit comes with the viewfinder/monitor, smart grip, top handle, shotgun microphone, BP-U batteries, charger, AC adapter, XQD cards, card reader, Sony and ARRI base plates and transport case.

A full-frame prime set at a documentary budget — five ZEISS CP.3 at a consistent T2.1, with matched colour and a common 95mm front so the matte box never has to move.

CP.3 cover the FX9 sensor in full, so a 25mm stays a 25mm and you keep the full-frame depth of field the camera was bought for. Focus and iris rings are in the same place on all five, the scales are marked for cine use, and the Metabones Cine PL to E-mount adapter is included in the kit.

• Sony FX9 full-frame cinema camera, Sony E-mount
• 6K full-frame Exmor R sensor (6008 x 3168), 4K oversampled
• Dual Base ISO 800 / 4000, 15+ stops of dynamic range
• Internal 10-bit 4:2:2 XAVC-I up to UHD 4K 59.94p, HD up to 120fps
• Electronic variable ND 1/4 to 1/128, Fast Hybrid AF with Eye AF
• 12G-SDI, dual XLR inputs, 4-channel audio recording
• ZEISS CP.3 25 / 35 / 50 / 85 / 100mm T2.1 full-frame primes
• PL mount — Metabones Cine PL to E-mount adapter included
• Consistent T2.1 across the set, matched colour and 95mm fronts
• Full-frame coverage — no crop on the FX9
• 1x Tripod — optional (50% off) — consult our tripod list

Included with this camera: the FX9 in this kit comes with the viewfinder/monitor, smart grip, top handle, shotgun microphone, BP-U batteries, charger, AC adapter, XQD cards, card reader, Sony and ARRI base plates and transport case.

The ARRI/ZEISS Ultra Prime look on a Sony body — the set that has shot more commercials than almost any other lens in rental, at a consistent T1.9 across five focal lengths.

Ultra Primes are the reference Super 35 set: neutral, sharp without being clinical, and utterly predictable from one focal length to the next. On the FX9 that means running the camera in S35 scan mode, which oversamples 4K from the 6K sensor, so the image quality holds and only the field of view changes. The Metabones Cine PL to E-mount adapter is included.

• Sony FX9 full-frame cinema camera, Sony E-mount
• 6K full-frame Exmor R sensor (6008 x 3168), 4K oversampled
• Dual Base ISO 800 / 4000, 15+ stops of dynamic range
• Internal 10-bit 4:2:2 XAVC-I up to UHD 4K 59.94p, HD up to 120fps
• Electronic variable ND 1/4 to 1/128, Fast Hybrid AF with Eye AF
• 12G-SDI, dual XLR inputs, 4-channel audio recording
• ARRI/ZEISS Ultra Prime 16 / 24 / 32 / 50 / 85mm T1.9 primes
• PL mount — Metabones Cine PL to E-mount adapter included
• Classic ARRI/ZEISS rendering, consistent T1.9 across the set
• Super 35 coverage — run the FX9 in S35 scan mode, which oversamples 4K from the 6K sensor
• 1x Tripod — optional (50% off) — consult our tripod list

Included with this camera: the FX9 in this kit comes with the viewfinder/monitor, smart grip, top handle, shotgun microphone, BP-U batteries, charger, AC adapter, XQD cards, card reader, Sony and ARRI base plates and transport case.

The Cooke Look in a set light enough to hand-hold: five full-frame primes at T2.4 in native Sony E-mount, with nothing between the glass and the sensor.

SP3 is the most compact full-frame set Cooke makes, so the FX9 stays balanced on a shoulder or a gimbal instead of needing a support rig built around the lens. The rendering is the warm, gentle roll-off Cooke are booked for, and it is consistent across all five focal lengths. No adapter, so no extra flange tolerance to worry about.

• Sony FX9 full-frame cinema camera, Sony E-mount
• 6K full-frame Exmor R sensor (6008 x 3168), 4K oversampled
• Dual Base ISO 800 / 4000, 15+ stops of dynamic range
• Internal 10-bit 4:2:2 XAVC-I up to UHD 4K 59.94p, HD up to 120fps
• Electronic variable ND 1/4 to 1/128, Fast Hybrid AF with Eye AF
• 12G-SDI, dual XLR inputs, 4-channel audio recording
• Cooke SP3 25 / 32 / 50 / 75 / 100mm T2.4 full-frame primes
• Native Sony E-mount, no adapter needed
• The Cooke Look in the most compact full-frame set Cooke makes
• Full-frame coverage — no crop on the FX9
• 1x Tripod — optional (50% off) — consult our tripod list

Included with this camera: the FX9 in this kit comes with the viewfinder/monitor, smart grip, top handle, shotgun microphone, BP-U batteries, charger, AC adapter, XQD cards, card reader, Sony and ARRI base plates and transport case.

The fastest cine primes in the catalogue — T1.3 on the 50 and 85mm — for night exteriors, practical-lit interiors and any job where the look depends on shooting wide open.

Five full-frame Canon CN-E from 14 to 85mm, with the 11-blade iris that gives these lenses their round, clean bokeh. They cover the FX9 sensor in full, so the extra speed buys you shallow depth of field rather than compensating for a crop. The Metabones Cine EF to E-mount adapter is included.

• Sony FX9 full-frame cinema camera, Sony E-mount
• 6K full-frame Exmor R sensor (6008 x 3168), 4K oversampled
• Dual Base ISO 800 / 4000, 15+ stops of dynamic range
• Internal 10-bit 4:2:2 XAVC-I up to UHD 4K 59.94p, HD up to 120fps
• Electronic variable ND 1/4 to 1/128, Fast Hybrid AF with Eye AF
• 12G-SDI, dual XLR inputs, 4-channel audio recording
• Canon CN-E 14 / 24 / 35 / 50 / 85mm full-frame cine primes
• T1.5 on the 24 and 35mm, T1.3 on the 50 and 85mm, T3.1 on the 14mm
• EF mount — Metabones Cine EF to E-mount adapter included
• 11-blade iris, full-frame coverage — no crop on the FX9
• 1x Tripod — optional (50% off) — consult our tripod list

Included with this camera: the FX9 in this kit comes with the viewfinder/monitor, smart grip, top handle, shotgun microphone, BP-U batteries, charger, AC adapter, XQD cards, card reader, Sony and ARRI base plates and transport case.

The cheapest honest route to an anamorphic image: three Sirui 1.33x that squeeze a 2.4:1 widescreen frame straight out of the FX9, with the oval bokeh and horizontal flares you cannot fake in the grade.

24, 35 and 50mm in native Sony E-mount, no adapter. The Sirui cover Super 35, so the FX9 runs in S35 scan mode; a 1.33x desqueeze on that 16:9 frame lands at roughly 2.4:1 using the full height of the sensor, instead of cropping the top and bottom off a spherical image and throwing away resolution.

• Sony FX9 full-frame cinema camera, Sony E-mount
• 6K full-frame Exmor R sensor (6008 x 3168), 4K oversampled
• Dual Base ISO 800 / 4000, 15+ stops of dynamic range
• Internal 10-bit 4:2:2 XAVC-I up to UHD 4K 59.94p, HD up to 120fps
• Electronic variable ND 1/4 to 1/128, Fast Hybrid AF with Eye AF
• 12G-SDI, dual XLR inputs, 4-channel audio recording
• Sirui Anamorphic 1.33x 24 / 35 / 50mm
• Native Sony E-mount, no adapter needed
• 1.33x squeeze — 2.4:1 widescreen using the full sensor height
• Oval bokeh and horizontal flares, manual focus and iris
• Super 35 coverage — run the FX9 in S35 scan mode, which oversamples 4K from the 6K sensor
• 1x Tripod — optional (50% off) — consult our tripod list

Included with this camera: the FX9 in this kit comes with the viewfinder/monitor, smart grip, top handle, shotgun microphone, BP-U batteries, charger, AC adapter, XQD cards, card reader, Sony and ARRI base plates and transport case.